Spectacle

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Spectacle at Supersonic

Supersonic invited six artists to create illustrations in response to this year’s theme of ‘Spectacle’. The term was borrowed from the Roman practice of staging circuses, in the famous “Bread and Circuses” philosophy of the Roman elite to maintain civil order without solving underlying social and economic problems.

Like the festival itself, ‘Spectacle’ operates in two contexts simultaneously. On the one hand, it refers to high culture performances where the draw for an audience is the impressive visual accomplishment. On the other hand, it refers to low cultural shows operating in a folk environment.

The artists are:

Chris Bourke
An artist and printmaker from Worcester, he spent over a quarter of his life owning and running a skateboard shop. He now makes art full time. His work is influenced by music, politics, nature, skateboarding, tattoos, life and death.

Craig Earp
Earp likes drawing strange bony twisted shapes with teeth, an obsession of his since watching John Carpenter’s The Thing and Alien when he was a schoolboy.  His digital art mostly combines photo montage and illustrations together into what he calls ‘Organic Disturbances’; scenes of nature in its decay, its death, brought together to form an outlandish beauty.

Harriet ‘Alana’ Shephard
As a teenager, Harriet frequently trekked into Birmingham to see various Capsule shows; droning guitars, sirening feedback and enough bass to make your jeans shake, always left her feeling spellbound; a euphoria that has continually fed into her work. Since moving to the Big Smoke, embarking on the epic quest of doing an illustration degree at Camberwell, Harriet began skateboarding; now an important aspect of her practice as an illustrator. In between drawing Heavy Metal legends and comics about mis-adventures with famous skateboarders. Harriet also runs Brash, a skate zine, which features the combination of artwork, interviews, reviews and comic strips, now in its third issue.

Jake Blanchard
A freelance illustrator born and raised in the Peak District, the countryside is a huge influence on Blanchard’s work today. He has worked on a variety of different projects including record sleeves, gig posters, skateboards, t-shirts and newspapers and has exhibited throughout the UK as well as in Paris, Copenhagen, Boston and Waiheke Island (New Zealand). He also runs his own record label and publishing company, Tor Press.

Sophia Alda
Since graduating from Brighton University in 2009, Sophia Alda has undertaken a variety of jobs, large and small, and exhibited widely, most recently in Leeds, Edinburgh and London. She works primarily in gouache, with a vibrant, acerbic style, and produces apparel, books and prints. She also works as a restorative decorator, where her most exciting project to date involved gilding a lion’s face.

Thomas J Hughes
Horror films of the 1970s, Marvel comic books, traditional doom metal, twentieth century science fiction television serials and Yes album covers are just a few of the things that inspire Thomas in the making of his work. His work is created using a variety of materials, with an emphasis on hand-drawn illustration and typography.

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The Furies

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‘The Furies’ – a dirty girl band
at mac, Saturday 22nd October, 9pm

Birmingham’s own Kindle Theatre plunder the city’s native sound of Heavy Metal to create a ballsy gig for you to come and get sweaty to.  ‘The Furies’ smashes together rock, metal and soul songs with text and poetry to drasticall retell the story of Clytaemnestra – a woman betrayed. Told through the eyes of Clytaemnestra’s band ofFuries; hot, sensual, with a glint in their eye, this is the ultimate tale ofrage, revenge and envy.

“Joan Jett, Ramones, Bowie, Rocky Horror, Angela Carter… Fantastic, they had the audience in their palms”
Audience feedback, BE Festival 2011, winner of the European Touring Prize

Age recommendation 15+
Tickets £12/£9, available through mac box office: 0121 446 3232 + online HERE

www.kindletheatre.co.uk

 

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Grindcore: Cut n Paste

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If you think the Capsule ladies sit around twiddling their thumbs between Supersonics, think again! 2011 has been an incredible year for our most ambitious project to date with exhibitions, live events and a conference all celebrating Birmingham and the Black Country as the birthplace of Heavy Metal. The project is ongoing and you can contribute to the Home of Metal digital archive and learn more here www.homeofmetal.com

Impassioned by the social conditions of the time and inspired by anarcho-punk bands who were taking an anti-capitalist stance through their music, Nicholas Bullen and Miles ‘Rat’ Ratledge formed Napalm Death. At only 14 years old, they were motivated to play gigs, create fanzines, and swap music via cassette tapes with the wider punk community. This exhibition will give you an exciting insight into this period of music history – the formation of Grindcore.

No strangers to Supersonic, here are Napalm Death performing at the fest in 2010:

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Incarnate

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Photographing Supersonic for the past 2 years, James Robinson has been able to not only shoot live performances , but also develop an on going set of portraits of the artists off stage.

It can be difficult to think of musicians as people, popular culture elevates artists to such inaccessible places, it is often easy to forget that they are real.  Photographers rarely get the opportunity to interact with musicians, restricted to press pits and passes, blocked by security and reduced to paparazzi.

The beauty of the ‘alternative’ music scene is that it’s about creating, doing and making music that is to be thought about, enjoyed, sometimes maybe even not enjoyed. These are the people who are making without a shadow of a doubt, the most interesting, challenging music anywhere in the world. These artists maintain integrity. These people are real.

 

www.jwrobinson.co.uk

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Club Unlikely

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A Supersonic Quiz hosted by Club Unlikely

Sunday 23rd  starts 2.30pm in 70eights

Flaunt your collective musical nous in this unique contest to determine the Trivia Champs at Supersonic 2011. It’s free to enter and you can field a team of anything between 2 and 6 people. The quiz starts at 2.30pm so please have your teams registered and ready to fire for 2.15pm.

Think you know your Electric Funeral from your Electric Wizard? Well, Bring  it on!

 

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Samekhmem

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“There has always been and will always be Samekhmem.

Seek not to understand the birth of Samekhmem.

True comprehension of this is beyond regular thought.

Place your mind, instead, in the center of the universe and allow yourself to dwell in the infinite.

When you know Samekhmem, you will realise that you have always known Samekhmem.

This truth extends beyond all imaginable constraints.

You will know the eternal message of Samekhmem.

It has always been heard by you and you will always be part of it.”

Samekhmem are performers of the Sacred Eternal Drone – that has always been and will always continue. Join the followers of Samekhmem, as a follower you can experience, contribute to and dictate past and future performances.

Experience a Samekhmem performance, witness the perpetual Sacred Eternal Drone, as part of ‘The Event’ on Friday 21st October at Minerva Works, 5pm-10pm.

Contribute to this performance via http://tools-and-principles.blogspot.com/

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Sonic Graffiti

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Walking the streets near to VIVID and Supersonic Festival, the ubiquitous signs of neglect passing you by. Set into a decaying wall there is a headphone socket. You unplug from your own music and plug yourself into the city. The sounds you hear are of and from this place, dark and decayed.

Artist Sam Underwood will tour his Sonic Graffiti during the festival, meet him on Friday 21st October at 8pm, or Sunday 23rd October at 8pm outside VIVID – bring headphones.

Sonic Graffiti is a co commission between Capsule and VIVID and is part of an experimental season entitled Crash, stimulated by the vision of J.G. Ballard.

http://www.vivid.org.uk/

VIVID | 140 Heath Mill Lane | Birmingham | B9 4AR

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In conversation with Tony Conrad

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A very special opportunity to hear a legend in the sonic and visual art world speak about this work. Tony Conrad will be in conversation at this year’s festival with the help of the ever inquisitive The Quietus.

Tony will be discussing his long line of collaborative work, plus giving us an insight into early days having worked with Velvet Underground and other such luminaries.  Tony will also be discussing his cross artform  approach, moving between the world of visual art, film and sound.

Extracts from Tony Conrad’s influential structural film ‘The Flicker’:

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Velzuvial

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9pm – 9pm 22- 23 October
Eastside Projects
86 Heath Mill Lane B9 4AR

This new performance commissioned by Capsule and Eastside Projects is a collaboration between artist Christian Jendreiko (responsible for last years Gods White Noise live installation) and Andrew Moscardo-Parker (aka Lash Frenzy). Together they will be exploring the action of both playing and what is actually being played over a 24 hour period, allowing for the piece to develop and evolve naturally.

Christian and Andrew will be joined by a core group of string players along with a few ‘special’ guests. What will be created will be truly unique!

Lash Frenzy vs KK Null from Supersonic 2010:

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$100 and a T-shirt

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$100 and a T-shirt- a film about zines

‘$100 and a T-shirt’ is a cultural analysis of what causes zine makers to tick; what the hell zines are, why people make zines, the origin of zines, the resources and community available for zine makers, and the future of zines. The film interviews around 70 zine makers, ex-zine makers, and readers from the northwest USA. Four years in the making, the film features footage of the Portland Zine Symposium, a zine bicycle tour of Portland, and activities bringing zine culture to life. If you’ve ever wanted to know more about zine history and about what writers are doing right now to make their publications relevant to the 21st Century, this film may give you some clues.

Also, look out for our zine panel discussion that follows the film, and make sure you take a look at the Birmingham Zine Festival exhibition and stalls.

microcosmpublishing.com/catalog/title/1011

 

$100 & A T-Shirt from Cantankerous Titles on Vimeo.

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In Conversation with William Bennett + Vice Guide to Liberia

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A special Q&A will see Whitehouse/Cut Hands man William Bennett, the influence of West African sounds on his own work, his new Afronoise project and his music’s inclusion on the Vice film.

VBS TV travels to Liberia in West Africa to explore a country ravaged by years of civil war. Liberia was originally planned and founded as a homeland for former slaves back in 1821. But fast-forward over a century and a half, and a military coup, and you find the first Liberian Civil War as Charles Taylor’s US-backed opposition overthrows a government unfriendly to US interests. The film explores the current fate of the Liberian people and that of the warlords themselves.

viceland.com

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Fonal Records shorts

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Fonal Records is an independent record label from Finland that has been releasing experimental music since 1995. Initially established by Sami Sänpäkkilä to release his own recordings under the name Es, Fonal is a truly independent record label in every sense and now has over 80 releases to its name, This music video screening presents a variety of techniques ranging from animation to live action. Videos have been shot with mobile phones, super 8, 16mm film and Red One cameras, and all have been made with a zero budget. This special programme includes work from such label luminaries as Lau Nau, Kemialliset Ystävät, Paavoharju, Islaja and Shogun Kunitoki.

fonal.com

Eleanoora Rosenholm: Valo kaasumeren hämärässä from Sami Sänpäkkilä on Vimeo.

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Flesh for Frankenstein

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Dir:Paul Morrissey – 1973 – UK/Italy/France

High and low art collide in this gorgeously photographed, sex and gore filled, delirious trash-art gem. Udo Kier’s demented central performance ranks as one of the most intense and outrageous in cinema history.

This screening is part of Psychotronic Cinema’s late night horror at Supersonic. Psychotronic Cinema programmes cult classic films at UK cinemas and is responsible for the legendary “All Night Horror  Madness” event and the upcoming “All Night Bad Movie Experience”.

http://www.facebook.com/pages/Psychotronic-Cinema

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SOUNDkitchen

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SOUNDkitchen

SOUNDkitchen is a collective of sound artists and composers bringing new and experimental sounds to Birmingham through exciting line-ups, eclectic electronic performances and collaborations with various local and national organisations. SOUNDkitchen aims to present anything and everything that’s experimental and electronic, crossing genres from electroacoustic to soundscapes to noise to ambient drones to Afrobeat, Dubstep, Balkan music and many more.

For Supersonic 2011, SOUNDkitchen will present two works.  They’ll be resident in a special area where they will be serving-up audio delights in their Cinema for the Ears. Working in collaboration with BEAST (Birmingham ElectroAcoustic Sound Theatre), they promise a concoction of installations and performances in a site-specific immersive sound sculpture.  Secondly, they will provide a live soundscape/soundtrack to Imperfect Cinema‘s screening of films made by festival-goers attending the latter’s workshop.

soundkitchenuk.org

 

 

 

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Birmingham Zine Festival exhibition

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Birmingham Zine Festival is an annual celebration of alternative publications. The first festival took place in September 2010 and proved to be far more popular than the organisers ever  anticipated. The second festival in July 2011 built on that success and next year the plan is for something much bigger.

For Supersonic 2011, the festival organisers have invited some of their favourite small press publishers to sell  their books, comics and zines, including:

Lizz Lunney with a range of comics and merchandise including patches, badges and prints from a world of characters such as Dullbog the Bulldog, Leaning Rabbit and Depressed Cat.
Alex Zamora will bring Fever Zine, a quarterly lo-fi black and white publication covering a mixture of music, art, fashion, trends, zine culture and more.
Phillipa Rice with her popular webcomic My Cardboard Life as well as goodies such as prints and bags. 

There will also be zines and an exhibition of artwork from Adam Cadwell, Carla Smith, Catherine Elms, Dina Kelberman, Joe List and many more. The zine celebrations will also be working their way into other aspects of Supersonic. ‘$100 and a t-shirt‘, Joe Biel’s documentary exploring the thoughts and experiences of zine-makers in North America, will be screened. In addition to this, a panel featuring Alex Zamora, Nic Bullen and Charlie Woolley will discuss the history of zines, their inspirations and how this feeds into modern DIY creativity and publishing.

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From A to Zine

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Featuring Alex Zamora of Fever Zine, Nic Bullen, formerly of Napalm Death and Charlie Woolley, archivist of a unique collection of fanzines and political ephemera dating from the punk movement and its aftermath assembled by artist and collector Toby Mott. The panel will discuss the history of zines, their inspirations and the resurgence of zine culture.

 

Alex Zamora is a music and arts journalist who runs Fever Zine,a quarterly publication focusing on music , art and DIY culture.

http://www.feverzine.co.uk/

Nic Bullen is a musician and visual artist who  co founded the band Napalm Death. Bullen collected and produced a number of zines during the 1980s.

Charlie Woolley is an artist and archivist of the Mott Collection. The collection is a fascinating piece of punk history and also includes political propaganda and memorabilia.

 

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Conny Prantera

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Conny Prantera is an artist and illustrator who lives and works in London. Here at Supersonic she will be showing a new piece titled Kore Kosmou, a video installation consisting of photomontage and drawings, meticolously put together frame by frame, animated and synced to a series of purposely created audio loops and drones. The subject of the installation is the 4 Elements of the Natural World: Air, Water, Earth and Fire. Through her intricately detailed drawings, she reveals an imagery of disquieting visions: a collection of relics from a world of wonder, which appears disturbing and suspiciously sardonic at the same time. But while with one eye she winks, to reassure us all is well, with the other she threatens with a baleful presage.

connyprantera.blogspot.com

DRAWING OBSESSIVE from conny.withloveandsqualor on Vimeo.

 

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Suspiria

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Dir:Dario Argento – 1977 – Italy

Dario Argento’s 70s masterpiece remains an iconic milestone in horror cinema, playing out as a hallucinatory onslaught of dreamlike imagery, atmosphere, colour and sound. Goblin’s legendary score will need little introduction to Supersonic fans.

This screening is part of Psychotronic Cinema’s late night horror at Supersonic. Psychotronic Cinema programmes cult classic films at UK cinemas and is responsible for the legendary “All Night Horror  Madness” event and the upcoming “All Night Bad Movie Experience”.

http://www.facebook.com/pages/Psychotronic-Cinema

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The Event

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Anybody attending this year’s Supersonic Festival will be happy to hear that another exciting arts festival will be taking place in the Eastside area of Birmingham at the same time. The Event is a contemporary arts festival showcasing the best in artist-led activity and  will take place from 21 – 30 October 2011 at a variety of venues including former industrial warehouses and recently opened artist-led gallery spaces.

The Event is delivered by some of the city’s key artist-led groups to explore a range of contemporary arts activity including visual arts, performance, live art, film, video, web-based, installation, intervention and sound, all demonstrating the diversity of the thriving arts community in the city.

Check the website for news of the programme along with special collaborative events.

www.the-event.org

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GET A GRIP Screenprinting

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For anyone interested in screenprinting and DIY production we are bringing you a screenprinting workshop in collaboration with GET A GRIP. You can design and print your very own Supersonic T-shirt to keep, a perfect festival memento.

GET A GRIP is an independent screenprinting business and shop located poolside at The Custard Factory in Birmingham. All the screenprinting equipment for printing T-shirts is set-up in the shop and our workshops are a laid back, fun introduction to printing, whether youʼre a beginner or not.
Using elements created by an independent illustrator, the aim of the workshop is to get you printing the multiple coloured images wherever you choose over a T-shirt. For £25 you will be given a white organic cotton T-shirt (we canʼt offer any other colours weʼre afraid, as this will then limit the ink colours which can be used in the workshop), which come in ladies or menʼs sizes small – XXL, and all the equipment, materials and expertise youʼll need!

Spaces are very limited for this workshop, so sign up quickly by emailing [email protected] with the subject SCREENPRINT.

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Mike Watt + The Missingmen

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Mike Watt is a u.s. bassist/composer/performer who’s home is in san pedro, california. he first got attention as a founding member (along w/d. boon) of the minutemen in the early 1980s. since then he was in fIREHOSE, dos and many other solo bands as well as a sideman bassist for porno for pyros, j mascis & the fog and currently (since 2003) iggy and the stooges. “hyphenated-man” is the third of what he calls punk rock opera due to them being album-long pieces put together in parts. the first one, “contemplating the engine room” dealt w/the story of the minutemen using his father’s life in the navy and the second one “the secondman’s middle stand” used parallels to dante’s “commedia” to deal w/an illness almost that almost killed him. opera number three takes on watt in moment, where he is in his life now and how he feels about it using various creatures in hieronymus bosch’s paintings as inspiration and metaphor.

With  on tour this fall in europe are his missingmen tom watson (guitar) and raul morales (drums) who also were involved in the recording, the first release on his new label clenchedwrench.

for more info:

http://hootpage.com/hoot_wattbio.html

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iconAclass

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iconAclass is the new  project from MC/producer Will Brooks best known as Dälek. As front person and co-producer in the group Dälek he explored the left of centre/ wall of noise world ala My Bloody Valentine meets Public Enemy on 6 studio albums.
iconAclass, his newest solo project, sees him maintaining the gritty view of boom-bap he is know for, while returning to his roots.

For the Ones is pure hip-hop, hypnotic heavy beats serve as more than just a backdrop for this MC. They focus a spotlight squarely on the lyrics, and iconAclass has a lot on his mind!

Pushing forward into the new millennia with DJ Motiv providing the cuts, iconAclass is the next chapter for this ever evolving musician.

http://www.facebook.com/iconaclass

 

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Selfless

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SELFLESS – 4 piece, insane politically/socially charged hardcore hardcore/grind band.Lying somewhere between Black Flag/Heresy with a few Discharge riffs here and there…

Songs are high impact,fast,and fucking short in length….

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STILL BEFORE

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STILL BEFORE is an intimate portrait of San Francisco art brut quartet OXBOW, recorded by their former booking agent, soundman and man Friday MANUEL LIEBESKIND, during two weeks in Europe in late Fall 2009.
Given unprecedented access, Liebeskind attempts to uncover the grinding obsessions, the machinations and the underpinning thought process behind making, playing, and touring on music that embraces art as though its life depended on it. Across five countries, over a dozen shows, and in front of rapt audiences OXBOW, and chronicler Liebeskind, explore the WHYS of art creation, the touring life and 20 years in, the motivations for continuing the same.
STILL BEFORE is filmed entirely on an iPhone with a 640×480 pixel resolution and edited for the screen.


http://www.stillbefore.com

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