Abstract Possible: The Birmingham Beat

Fri 19th October 2012
This is an archive item from Supersonic 2012


Curated by Maria Lind and amended by Eastside Projects

6 October to 1 December 2012

José Léon Cerrillo, Zachary Formwalt, Goldin+Senneby, Wade Guyton, Yelena Popova, Alejandra Salinas and Aeron Bergman

Why abstraction today? While no prominent neoabstract movement has been heralded since the 1960s, abstraction has remained present but ‘out of sight’ and could be seen as redundant as an artistic tool. Since the late 1990s there has been a palpable interest in abstraction, particularly among younger artists and other cultural producers who both reinterpret the legacy of formal abstraction and shape performative, social versions of abstraction with regard to its meaning — to withdraw.

‘Abstract Possible: The Birmingham Beat’ is the latest iteration in a research project exploring notions of abstraction, taking contemporary art as its starting point. The artworks in this exhibition involve and complicate the three strands of abstraction: formal abstraction, economic abstraction and social abstraction, with an emphasis on economic abstraction. This is the first main gallery exhibition at Eastside Projects to be curated by an external curator, Stockholm based Maria Lind, who has invited an array of international artists to exhibit.

‘Abstract Possible: The Birmingham Beat’ suggests that we pay attention to and reconsider certain crucial aspects of the phenomenon of abstraction as it pertains to its intriguing resurgence in contemporary art.

Eastside Projects
86 Heath Mill Lane
Birmingham B9 4AR