Friday 19 October
Birmingham City University, Margaret Street Fine Art Building, Birmingham, B3 3BX
1.30pm – 6.00pm
Supersonic Festival with Sound and Music present a half-day extended panel discussion exploring contexts for the presentation of sound works and performances and approaches to listening. Bringing together artists, academics and industry professionals this event is an opportunity for discussion of how artists and producers can best stage work, how audiences can be best encouraged to enjoy it and how we can all become better listeners. Counting In also acts as an informal networking opportunity for artists and producers.
Hosted by Birmingham Institute of Art & Design
This event is supported by Birmingham City University.
Participants in this panel discussion include:
Artist Lucas Abela (aka Justice Yeldman) is notorious for his bloody sonic actions using amplified shards of glass. Lucas will be discussing the balance of sonic and visual elements in his work and his concerns with allowing sound to shine through his visceral performances.
Frances Morgan is deputy editor at The Wire magazine and a writer on music and film. Frances will discuss the different ways in which we experience ‘live’ music and sound, the challenges for journalists writing about it now, and how audience expectations are shaped by context.
Irene Revell is the Director of Electra, an organisation that curates, commissions and produces projects by artists working across sound, moving image, performance and the visual arts. Irene’s contribution to the panel will focus on Kim Gordon and Jutta Koether’s ‘Reverse Karaoke’, an installation that has toured European galleries during the last seven years and is on show at Eastside Projects as part of Supersonic 2012.
Simon Hall is a composer, sound engineer trombonist and Assistant Head of Music Technology at Birmingham Conservatoire, UK. Simon will be discussing modes of listening and the cultural deafness resulting from the sonic overload of our contemporary lives.