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Chicago based band on Drag City. Cave core themselves round sickeningly tight drum and bass that drive like an armoured vehicle, whilst the sinewy guitar work punctuates aggressively. Think cosmic grooves and full on psych wig out.
www.myspace.com/realreelpro
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Hallogallo – Michael Rother + Friends present the music of Neu!
The legendary German group NEU! released only 3 albums between 1972 and 1975, but these albums had an influence wildly disproportionate to their modest commercial success. Inspired by revisiting these recordings, Michael Rother has invited a group of musicians to visit the NEU! universe with him for a series of live performances: Steve Shelley (Sonic Youth), Benjamin Curtis (School of Seven Bells), and Aaron Mullan (Tall Firs) will perform a limited number of concerts this year as ‘Hallogallo 2010’. This group will perform NEU! music and selections from Rother’s work with Harmonia and his solo albums.
www.michaelrother.de/en/
Following the news that the 2010 edition of Birmingham’s acclaimed annual Supersonic Festival will be headlined by SWANS, Capsule are hugely excited to announce the second headlining act, GODFLESH. Acclaimed by many as founders of the industrial metal movement, Godflesh will be returning to their Birmingham roots to play the band’s first UK show in over 10 years. Tickets are now on sale!
Featuring band members Justin Broadrick (ex-Napalm Death and Head of David) and Benny Green (ex-Fall of Because), Godflesh will be bringing their crushing, apocalyptic sound back home to Birmingham in only their second show since they disbanded in 2002.
“We cannot even recall specifically the first Birmingham Godflesh show. Oddly, we think it was supporting Suicide in 1988, just after the release of our first Mini LP on Swordfish, the record label of Birmingham’s best record shop. So it’s only natural that the first Godflesh UK show in its original form in over 10 years, comes home to its birthplace, and for whom better than Supersonic, the organisation responsible for keeping Birmingham on the map with underground music, be it metal or otherwise. It is with great pleasure that Godflesh returns to its roots.” – Justin Broadrick, Godflesh
This rare and exceptional performance by GODFLESH forms part of a series of line up announcements for Supersonic 2010. Also confirmed are with many more exciting acts and artists to be revealed in the coming weeks and months.
Buy tickets: www.theticketsellers.co.uk
www.seetickets.com
We have just negotiated a number of special rate rooms for Supersonic visitors at the Paragon Hotel which is a mere 5 mins walk from the venue. These rooms go very quickly so best get in quickly.
Special Supersonic Deal:
(5 mins walk from the Custard Factory)
A magnificent example of Gothic architecture, the Paragon is situated in the heart of the city, lovingly restored into a modern, stylish, urban retreat.
£35.00 Room Only for Standard Single Room
£40.00 Room Only for Standard Twin or Double Room
£45.00 Room Only for Superior Single Room
£50.00 Room Only for Superior Double or Twin Room.
Breakfast will be available upon request at £5.00
Quote ‘CATS221010′ to book at special festival rate
T: +44 (0) 121 627 0627 / F: +44 (0) 121 627 0628
E: [email protected]
For more hotel deals check Hotels
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Out of the New York underground Swans created dark, abrasive, murky, slowed-down noise rock – their depraved lyrics stalked and disturbed throughout the 80s and 90s. After 15 years of touring and constant productivity Swans disbanded in 1997.
Talking about his decision to reactivate the project Michael Gira says:
“there was a point a few years ago during a particular show when I was on tour with Angels Of Light, with Akron/Family serving as the backing band. It was during the song The Provider. Seth’s guitar was sustaining one open chord (very loudly), rising to a peak, then crashing down again in a rhythm that could have been the equivalent of a deep and soulful act of copulation. The whole band swayed with this arc. Really was like riding waves of sound. I thought right then, “You know, Michael, Swans wasn’t so bad after all…” . Ha ha! It brought back – in a flood – memories, or maybe not memories, more a tangible re-emersion in the sensation of Swans music rushing through my body in waves, lifting me up towards what, I can only assume, will be my only experience of heaven.”
The recent reactivation of the band – with the line up of: Michael Gira; guitar, voice, mendicant friar act (original Swans), Norman Westberg: guitar (original Swans), Christoph Hahn: guitar (mid-period Swans and most Angels of Light ), Phil Puleo; drums, percussion, dulcimer etc etc (final Swans tour and most of Angels of Light), Chris Pravdica: bass and gadgets (Flux Information Sciences / Services/ Gunga Din) and Thor Harris: drums, percussion, vibes, dulcimer, curios, keys, etc… (Angels of Light, now also with Shearwater) – promises to be as formidable as the early, brutal and growling noise albums they made their mark with.
“He’s a virtuoso of the 12 string guitar, but he’s anything but showy. He lays out patterns and shapes that subtly shift over time and lead you to a deeply satisfying mental state. Recently, driving around with the car stereo blasting his music I found myself inexplicably weeping. Why??? The music’s not sad, or even mournful really. It’s just exquisite in an ineffable way, and taps into a place, a dream place, or a pre-thought place, which each of us might recognize was always there inside of us and is suddenly revealed. Like coming home after a painful journey, I suppose…”
Michael Gira/Young God Records
http://www.myspace.com/jamesblackshaw
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Blue Sabbath Black Fiji
Charles Lavenac and Janin Benecke emerge from the bedroom to the stage with their psychedelic guitar based drone and noise. They’re worldly chaps currently residing in Glasgow and gaining a reputation as one of the most intriguing new bands around.
www.myspace.com/bluesabbathblackfiji
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Bong formed in 2005 in Newcastle and have very kindly been playing slow, droning psychedelic jams for anyone who appreciates that sort of thing. They merge classic doom rock tactics with a love of psychedelia and raga hypnotism, lacing their monolithic drones with vocal incantations and live sitar. Channeling Space Rock, Doom, Eastern influences and Black Sabbath
http://www.myspace.com/landbong
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Although Eagle Twin is a very new entity, its helmsman Gentry Densley is no stranger to innovative, heavy music. Densley was the musical visionary and leader of the legendary Jazz, Prog, Rock, Metal, Hardcore group Iceburn from 1991-2001.
In order to disseminate his majestic and mountainous riffs in the present day he enlisted massively behemoth skinsman Tyler Smith. The drums conjure a repetitious mantra that is eerily infectious.
http://www.myspace.com/eagletwin
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Fancy partying in a 1970s drag queen bar in outer space? Well, Gnod provide the perfect music accompaniment. This is psychedelic drone rock, tribal drumming, grunge and utter filth all pushed along with a Krautrock like pulse.
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Gnaw is the sawblade-wrapped-in-razorwire brainchild of Alan Dubin (Khanate, OLD), Carter Thornton (Enos Slaughter), Jun Mizumachi (Ike Yard), and Jamie Sykes (Thorr’s Hammer, Burning Witch). Combining noise and metal in a mesh of sonic experimentation, Dubin sounds out the group with his gut-wrenching vocals, he screams, whispers, chants and generally terrifies us.
“Gnaw celebrates missing out like nobody else in the whole damn Universe” Julian Cope
http://www.myspace.com/gnaw666
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Jailbreak feat. Chris Corsano + Heather Leigh
Jailbreak is the duo of pedal steel/vocalist Heather Leigh and drummer Chris Corsano. The name foregrounds the kind of outlaw violence with which the two reformulate rock/roll instants by bringing free jazz fire power to amp-humping sex beats. Jailbreak play improvised music that dispenses with traditional notions of call and response or dialogue in favour of a profound simultaneity that would birth instant forms from the application of high energy strategies. Leigh’s steel mainlines sanctified slide guitar sources and deforms them with overdriven electricity, playing a form of future-blues exploded by super-charged currents. Corsano detonates time, literally blows it to pieces, in favour of a profound polyrhythmic feel that would confuse past and future. Yet the whole thing rocks like it hasn’t a braincell to spare.
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Spontaneous improvisational composition by form and function is the basis for Lichens. Injecting evolution and natural process into the art form is key. Reflection of internalized experience illuminates symbiosis, serendipity and syncronicity ultimately opening the door. Mistakeisms prevail, time only tells and future past is the next window.
Robert Aiki Aubrey Lowe is Lichens. Through collaboration Robert Aiki Aubrey Lowe has worked withWhite/Light, Cloudland Canyon, Michael Zerang, Joshua Micah Abrams, Alan Licht, Hisham Bharoocha, Rose Lazar, Bird Show(Ben Vida), Doug Aitken, Butchy Fuego, Lee Ranaldo, Twilight, Lucky Dragons, David Scott Stone, Rob Barber (High Places), Patrick Smith, Koen Holtkamp (Mountains), Jonas Asher (Grasslung), Ian Wadley, Rhys Chatham and Om.
http://www.lichensarealive.com/
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MELT-BANANA sweat out a super-adrenalized, maxi-caffeinated collision of frenzied drum rhythms and torturous guitar squeals through tiny, frantic, hyper rhythmic little songs. Front woman Yasuko O’s ultra-high-pitched screeches and Agata’s screaming slide guitar vie for supremacy across a rhythmic frenzy that is so ridiculous and precise, it will crush you with its brilliance. Here are the cerebral gnashing guitars, the aggravated pep squad proclamations and the neck-snapping rhythm change-ups irresistible to those seeking a new musical truth. MELT-BANANA doesn’t sound like anything you’ve ever heard. Simply put, they are unclassifiable.
http://www.myspace.com/azap
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Having equal passion for electronic and extreme music, and motivated to fill the glaring gaps in their record collections, Cookson and Rozeik began recording material under the name Necro Deathmort in 2007
The duo take their favourite aspects of doom, drone, electronica, ambient, hip-hop and dance music, and force it all together into something altogether more…Necro. This is not ‘doom meets electronica’: this is an organic sound that owes little to current musical trends, and everything to the music that originally inspired it’s creators – this is Necrotronic…A maelstrom of dirty beats, supernatural atmospheres, agonising guitars and crushing low end.
http://www.myspace.com/necrodeathmort
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Following his acclaimed “Voice Of The Seven Woods” debut for Twisted Nerve (2007), Rick Tomlinson’s new Voice Of The Seven Thunders album has been released in March 2010 to critical wonderment. His new four-piece touring band features Keith Wood (Hush Arbors, Sunburned, Current 93), Chris Walmsley (Broadcast, Kelpe) and Tom Relleen (The Oscillation). Their Supersonic Festival appearance will closely follow the Autumn release of ‘The Blue Comet Mixes’ on limited 12″ vinyl – four cuts from the ‘Voice of the Seven Thunders’ LP re-navigated by Andrew Liles of Nurse With Wound.
http://www.myspace.com/voiceofthesevenwoods
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Supersonic Festival are delighted to announce the first UK sow in over 10 years for Godflesh.
After leaving the ranks of Head of David in 1988 (having previously done time in the early days of Napalm Death), Justin Broadrick wasted no time in setting up a new outfit that was arguably as epoch-defining as Napalm. Teaming up with bassist Benny Green (his cohort in pre-Napalm act Fall of Because), their new act, Godflesh, saw the hyper-speed facets of Napalm Death turned on its head with downtuned guitars and slower tempos the order of the day. A tangible sense of urban decay and alienation oozed from every pore, thus birthing Industrial Metal.
Their ‘Streetcleaner’ opus conjured up images of concrete tower blocks; cold, grey flyovers and nihilistic angst – arguably as potent a musical representation of Birmingham as the opening chords to ‘Black Sabbath’.
To this day Godflesh are revered as godheads by acts as disparate as Isis and Fear Factory, this long-awaited 2010 reformation surely bound to propel them back into the consciousness of many, staking their claim as true musical innovators.
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Capsule invited the following six artists to create illustrations in response to this years festival headliners Italian legends GOBLIN. The group become the aural signifier of the Italian horror film movement of the seventies and the eighties, creating sound tracks to such cult classics as “Suspiria” (1977) and “Dawn of the Dead” (“Zombi”, 1978). As such this years theme was to create an illustration for Supersonic Festival in the style of a horror film poster! These works will be exhibited within the Custard Factory.
Drew Millward
Born in Coventry grew up in Bolton, and now lives in Leeds. Drew draws pictures the old fashioned way, with pens and pencils. If you like his drawings, please feel free to let him know. He is a friendly sort. Drew runs Birdwar Records with his good buddy Mr Luke Drozd, and plays drums in White Fang.
www.drewmillward.com
Emma Duggan
Born and bred in Birmingham, Emma has been drawing and making things for as long as she can remember. Her work incorporates elements of both textiles and illustration. While studied for her degree in textiles, she specialised in embroidery, with a parallel interest in drawn and print work. This crossover is evident in pen and needle creations that are hard to categorise and has seen her create fashion, illustration work, jewellery as well as private commissions.
www.myspace.com/eilithrose
Gemma Correll
A Norwich-based freelance illustrator. She has worked for clients including Virgin Holidays and Hallmark cards and is represented in the UK by NB Illustration agency. She enjoys watching videos of pugs on Youtube and drinking coffee as well as being quite keen on Chihuahuas.
www.gemmacorrell.com
Karoline Rerrie
Along time ago Karoline worked for Matthew Herbert and illustrated most of his ‘Doctor Rockit’ album covers with rockets and assorted paraphernalia This helped develop her style and in particular the use of quirky characters, humour and hand drawn text. These have remained important elements of Karoline’s work and she now uses them in the small artist’s books she makes and exhibits. The most recent of these is ‘Half Baked’, a tale of cakes, baking and cannibalism. Karoline sees her illustration as a craft and prefers to work by hand as much as possible. In keeping with this aspect of her work Karoline uses a Japanese print gocco machine to hand print book covers and images to accompany them.
www.nursepussy.co.uk
Stuart Kolakovic
An illustrator represented by Heart Artists’ Agency, currently working on a comic book in his spare time, entitled “Lichen”, which will be published in 2010 by Blankslate Books.
www.stuartkolakovic.co.uk
Tommy Niemeyer
Guitarist of legendary splatter rock band The Accused & responsible for creating the wild, zombie mascot Martha Splatterhead which has adorned most of their albums and many of their promo items. It was only fitting to invite Tommy to create an illustration for this years festival.
www.splatterrock.com
Supersonic Installation: ‘There Are No Others, There Is Only Us’
video installation by Marc Silver / Music by Ben Frost
Moor Street Station . Birmingham
Friday 24th – Sunday 26th July
10 am – 6pm daily Free Entry
Premiering at Supersonic Festival ‘There Are No Others, There Is Only Us‘is a monochrome video projection created by director Marc Silver, which explores how we protect ourselves from a seemingly more chaotic planet.
In a time where the world is ever more connected and unbordered, artist Marc Silver considers whether crowds are a force for oppression, or a potential for resistance.
‘There are no others, there is only us’ is a powerful visual metaphor illustrating the nature of collaboration and the power of crowds, with music composed by post minimalist producer Ben Frost (Bjork, Valgeir Sigurosson).
The centerpiece of the film is an aerial dance of half a million swarming birds, projected at Birmingham Moor Street Station, where 7,000 commuters come and go daily.
In addition to Ben Frosts soundtrack 5 artists have been invited by Supersonjic Festival to compose alternative scores to accompany the film. These include pieces created by:
Andrew Moscardo-Parker, Stuart Tonge, Simon Fox, Matt Snowden, Sam Underwood
Produced by Capsule + Germination in association with Fierce!
With thanks to Chiltern Railways
Germination bring world-changing ideas to the public through live events and cultural projects. www.germination.co.uk
Fierce! is an international performance festival that has taken place annually in and around Birmingham, England since 1997.
www.myfiercefestival.co.uk
Screening: Suspiria
Director Dario Argento
Sound track by Goblin
APOLOGIES FULLY BOOKED
Friday 24th July 7pm – 9pm
VIVID | 140 Heath Mill Lane | Birmingham | B9 4AR
Supersonic Festival ticket holders only 18 +
Limited places must be booked in advance
(just 5 mins walk from the main festival site)
First bands on stage at 9.00pm
In honour of having Italian legends Goblin performing live on Sunday night at this years Supersonic Festival, we will be screening ‘Suspiria’ on Friday evening before the festival opens. The screening will take place at Vivid with ‘deadly’ cocktails on sale
Places are limited – you must book in advance by emailing info[at]capsule.org.uk with ‘Suspiria‘ in the title – this is free to weekend ticket holders only!
Jessica Harper stars as Suzy Banyon, a young American ballet dancer who arrives at a prestigious European dance academy run by the mysterious Madame Blanc (Joan Bennett) and Miss Tanner (Alida Valli). But when a series of bizarre incidents and horrific crimes (including what Entertainment Weekly calls “the most vicious murder scene ever filmed”) turn the school into a waking nightmare of the damned, Suzy must escape the academy’s unspeakable secret of supernatural evil. Experience the most shocking and hallucinatory horror movie in history as you’ve never seen or heard it before, now featuring the fully remastered landmark score by Goblin and a heart-stopping new film transfer supervised by director Dario Argento and cinematographer Luciano Tovoli.
This is the definitive version of SUSPIRIA, an aria of terror beyond imagination and one of the most extraordinary horror films ever made. NOT ONE FOR THE FAINT HEARTED!
With thanks to Anchor Bay Home Entertainment
On site at the festival is Ideal Skate shop & ramp, a skater owned store that has been supporting Birmingham skateboarding for the last 18 years.
For more info check: http://www.idealbirmingham.co.uk
Workshop: John Richards and the Dirty Electronic Ensemble – FULLY BOOKED
Build your own Sudophone and join the Dirty Electronic Ensemble for a performance at Supersonic Festival. This DIY instrument changes pitch through using the conductivity of the human body. The workshop explores the idea of self made electronics and interactive environments for music and performance. Richards encourages participants to seek new ways of creating electronic music & will culminate in a performance of pieces devised by the workshop participants.
Capacity for this workshop is limited to 25 places therefore it is essential that you book in advance, no knowledge of electronics or previous experience at building electronic musical devices is needed.
TO BOOK A PLACE email info[at]capsule.org.uk with DIRTY ELECTRONICS in the subject heading, this is free to all SUPERSONIC FESTIVAL ticket holders, there are only 25 places so its a first come, first served basis!!! SORRY FULLY BOOKED
John Richards completed a doctorate in electroacoustic composition at
the University of York in 2002, and he is currently part of the Music, Technology and Innovation Research Centre at De Montfort University, Leicester.
Following from the Dirty Electronic Ensemble performance will be a screening of Motherboard, a new technology show, with a big twist. It’s about the human side of technology, and technology’s place as humanity’s and culture’s great enabler. Initial subjects include: the video game pioneer and cosmonaut who spent $30 million to fly into space, a research facility where human decomposition after death can be scientifically studied and robotics pioneers who are developing their own version of the exoskeleton from Aliens.
Expect jetpacks, rocket bikes, head transplants, artificial intelligence, pretty girl robots, plants that can play music, submarines and technologies used for smuggling drugs and hundreds more amazing stories from the future that is happening now.
Motherboard is produced by VSB TV
Goblin – Italy
Throughout their career which spans from the early ‘70’s, Goblin have soundtracked around 20 films, with ‘Profondo Rosso’, ‘Suspiria’ (a film that became the benchmark in 70’s gore flicks) and ‘Dawn Of The Dead’ that really form the basis of their legendary reputation as they perfectly showcased their vast stylistic repertoire from the prog-flavoured rock they’re best known for, through tribal rhythms, electronics, orchestration which seamlessly fitted and added to the impact of the on-screen action.
Recent years have seen a huge resurgence of interest in the band’s work, particularly amongst the alternative rock, goth and horror film communities, with very well received reissues of their classic soundtracks and DVDs of the films they worked on, plus the compilation cd ‘The Fantastic Voyage Of Goblin – The Sweet Sound Of Hell’. 2005 also saw the publication of the book “Goblin – La musica la paura il fenomeno”, written by Giovanni Aloisio, and there is even a band in the US made up of Goblin fanatics and calling themselves Zombi.
“The legacy of Goblin is vast and full of surprises, and they’ve had a great influence on how rock music can be used in film scores. And, as such, Goblin can claim to be not only one of the most important of Italian rock bands, but also creators of some of the finest Italian film soundtracks alongside the redoubtable Ennio Morricone!” Alan Freeman
Goblin Q & A Theatre Space/Sunday
hosted by Alex Fitch, deputy editor at Electric Sheep
It is with great honor that Supersonic presents Italian legends GOBLIN, their first UK show in over 20 years.
The name Goblin first appeared on the map in 1975, when the band recorded the soundtrack for Dario Argento’s “Profondo Rosso”. This was the starting point for a decade long, highly creative and widely influential collaboration between the eccentric film maker and Goblin, that made the group become the aural signifier of the Italian horror film movement of the seventies and the eighties, creating sound tracks to such cult classics as “Suspiria” (1977) and “Dawn of the Dead” (“Zombi”, 1978). Goblin created some of the most thrilling pieces of soundtrack music ever made. While Argento undisputedly masters color and composition, Goblin’s suggestive and complex symphonic scores evocated dark atmospheres, suspense and stirring drive. In combination they create the unique, highly stylized, surreal and psychedelic experience, that made the movies become cult classics.
Supersonic is produced by Capsule:
Unit 317, Zellig
Gibb Street
Birmingham UK
B9 4AT
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