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Formed some time in 2008, Stinky Wizzleteat have garnered some sort of a reputation, leaving a trail of blood, sweat and broken amplifiers behind them. United by a mutual love of the Bad Brains, Wizzleteat carve out a sound informed by groove from across the musical spectrum, whilst staying fully committed to heaviness, good times and volume.
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Are the sound of 10,000 exploding suns, pulsing with repetitive beauty and pounding like a supersonic mantra. Mugstar recall “Saucerful…” era Floyd and echoes vintage Neu! alongside the sounds of Oneida and Sonic Youth. Mugstar take the sonics of psychedelia and krautrock, drag it through the lenses of punk and post-rock, heavy as lead but driven to a repetitive extreme so that it becomes an impenetrable Krautrock hammer; much like Neu on a week long binge of testosterone.
“Painfully young and unnervingly talented” American multi instrumentalist Peter Broderick explores minimalism and instrumentalism with tinges of folk. In mid 2007, Peter was invited by some of his heroes, the Danish ensemble Efterklang, to move to Copenhagen and join their live band. And so he dropped his entire life in Portland and moved across the world. Since then, he has also released a series of solo albums including ‘Docile’, a mini album of piano music and an album of string compositions.
http://www.myspace.com/peterbroderick
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ZENI GEVA is a Japanese prog-hardcore band, led by singer and guitarist KK Null, one pioneering group of innovators and legends. ZENI GEVA was founded in Tokyo in 1987 and quickly found a dedicated fan base in Europe and the US. Their popularity in the west enabled ZENI GEVA to be one of the first Japanese bands to tour in Europe and the US with bands like Bastro, Crash Worship, Dazzling Killmen, Don Caballero, Eyehategod, Melvins, Neurosis, Pain Teens, Shellac and more.
http://www.myspace.com/zenigeva
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Fukpig was originally conceived as a side project by members of the revered and now defunct, Mistress and then put on the backburner due to the success of both Mistress and Anaal Nathrakh. Drawing from a putrid pool of influences such as Extreme Noise Terror, Gorgoroth, Disgust and Mayhem, Fukpig mix up crust, punk, black metal and grind into an almighty mass of audio filth.
Aggressive crust and gritty grind, Fukpig are a new breed of Birmingham grindcore, referencing Napalm Death but terrifying those in their wake in their own sick way.
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Based in Hackney, London, Gum Takes Tooth is a single headed beast with two bodies: a duo of Thomas Fuglesang on live trap drums physically wired into and triggering home grown electronic instruments, bare circuit boards, electrified African thumb piano and assorted crude noise making devices tweaked, moulded and mangled in real-time by Jussi Brightmore. Recent double drum live action with second kit from Valentina Magaletti of $hit & $hine and Buttonhead.
www.myspace.com/gumtakestooth
The roots of King Midas Sound were planted when Kevin Martin, industrial dance veteran and the brain behind experimental dancehall project The Bug, set about collecting together vocalists for his 2008 album, London Zoo. Where The Bug had a hard carapace, firmed up with industrial beats and dubstep bass, King Midas Sound more resembles a phantom presence: a ghostly fog of sound that seeps through air vents and creeps through cracks in window panes. Heavy with urban dread but awake to the promise of a better life.
http://www.myspace.com/kingmidassound
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Heavy heavy dub featuring DJ Scotch Egg and Dokkebi Q. Scotch Egg plays live bass with the same manic attitude as his gameboy alongside the gruesome beats of fellow Japanese artist Dokkebi Q.
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[jwplayer config=”audio sidebar” playlistid=”1142″]Cloaks are considered to be one of the more abstract and uncompromising production teams to have emerged from the spannered and industrial-edged UK dubstep scene. Their distorted and often claustrophobic sound, created using found sound and circuit bent instruments was first debuted on the London based Werk Discs, with their output drawing comparison to not only modern bass music but to the darker sounds of noise and industrial.
This solo DJ set by SteveCloaks will see the 3by3 label boss in a Dub-selector style, playing strictly Cloaks material only, in an exclusive performance for Supersonic 2010.
http://www.myspace.com/cloaks
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Everyone is raving about this London based band, you’ll find their brutal live performance stretches from dark, post-punk electronics to astute, industrial-strength minimal techno. willfully despondent female vocal and a slavering, primitive arpeggiator, gelling the two together with an eruptive frenzy of drums. It’s an interesting take on disaffected, cold-wave minimalism – something that seems to be in the air at the moment.
http://www.myspace.com/factoryfloor
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Their performance at Supersonic 2009 was hugely popular, so we just had to get them back. Himeno Sayaka (drums), Zaikawa Yuri (bass) and Takada Masako (guitar) met, of all places, at the same music club at university in Tokyo. After quickly becoming friends the obvious next step was to form a band, and Nisennenmondai was born. Their driving rhythm section and metallic guitar sound something like an ungodly and hypnotic amalgamation of Boredoms, Neu!, Can, and Ruins circa 1986-7.
http://www.myspace.com/nisennenmondai
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Eastside Projects and Supersonic are looking for performers for GOTTESRAUSCHEN (GOD’S WHITE NOISE), taking place at Eastside Projects on Saturday 23 October, 12–7pm. We are looking for people interested in going through the GOTTESRAUSCHEN experience: You do not need to be a trained guitar player, however you should be interested in sonic exploration of the self. The full performance lasts 7 hours — involvement for the duration is optional: players may come and go. Performers are required to bring their own electric guitar and amplifier, which can be stored securely at Eastside Projects for the full festival weekend. Contact info[at]eastsideprojects.org for more details as places are limited.
Düsseldorf-based artist Christian Jendreiko is known for making actions with large ensembles of trained or untrained performers in novel, site-specific settings. Jendreiko specifically seeks to reconsider acoustics as aspects of how body and mind are constructed, through a decentralized and sculptural approach towards performance. Lasting anywhere between two and seven hours and featuring classically trained musicians alongside untrained performers in nonhierarchical and improvisatory fashion, Jendreiko transforms groups into social sculpture.
For the Birmingham premiere of ‘GOTTESRAUSCHEN (GOD’S WHITE NOISE): Action for Players, Guitars & Amplifiers’, a number of musicians and artists will perform at Eastside Projects over the course of 7 hours. Intended as a performance for an indeterminate number of guitarists and amplifiers, and taking its cue from a passage by Friedrich Schiller on man’s relationship to a series of sensual and formal compulsions (“For all beauty is ultimately but a property of … movement”), GOD’S WHITE NOISE will unfold over a single day, with guests free to enter, circulate throughout, and remain in the gallery space as long as they wish.
Düsseldorf-based artist Christian Jendreiko is known for making actions with large ensembles of trained or untrained performers in novel, site-specific settings. Jendreiko specifically seeks to reconsider acoustics as aspects of how body and mind are constructed, through a decentralized and sculptural approach towards performance. Lasting anywhere between two and seven hours and featuring classically trained musicians alongside untrained performers in nonhierarchical and improvisatory fashion, Jendreiko transforms groups into social sculpture.
For the Birmingham premiere of ‘GOTTESRAUSCHEN (GOD’S WHITE NOISE): Action for Players, Guitars & Amplifiers’, a number of musicians and artists will perform at Eastside Projects over the course of 7 hours. Intended as a performance for an indeterminate number of guitarists and amplifiers, and taking its cue from a passage by Friedrich Schiller on man’s relationship to a series of sensual and formal compulsions (“For all beauty is ultimately but a property of … movement”), GOD’S WHITE NOISE will unfold over a single day, with guests free to enter, circulate throughout, and remain in the gallery space as long as they wish.
Jendreiko’s actions have been performed at Baer Ridgway, San Francisco (2010), Wesleyan University (2007), Kunstverein Düsseldorf (2007), Kunstverein Nürnberg/Albrecht Dürer Gesellschaft (2009), the Museum of Modern and Contemporary Art in Strasbourg (2009) and in various galleries and art institutions throughout Europe. Jendreiko has also presented work internationally since 1999 as a founding member of Düsseldorf-based artist collective hobbypopMUSEUM.
Eastside Projects and Supersonic are looking for performers for GOTTESRAUSCHEN (GOD’S WHITE NOISE), taking place at Eastside Projects on Saturday 23 October, 12–7pm. We are looking for people interested in going through the GOTTESRAUSCHEN experience: You do not need to be a trained guitar player, however you should be interested in sonic exploration of the self. The full performance lasts 7 hours — involvement for the duration is optional: players may come and go. Performers are required to bring their own electric guitar and amplifier, which can be stored securely at Eastside Projects for the full festival weekend. Contact [email protected] for more details.
Eastside Projects is a new model for a gallery, one where space and programme are intertwined: a complex evolving programme of works and events starting from radical historical positions. Forthcoming is a touring exhibition by British artist Carey Young, and pioneering US artist, Dan Graham.
This event takes place at: Eastside Projects, 86 Heath Mill Lane, Birmingham B9 4AR
www.eastsideprojects.org
Master Musicians of Bukkake and Khyam Allami are excited and pleased to bring to the stage a very special collaboration debuting at this year’s Supersonic Festival, Bosphorean. Taking its name from the Bosphorus Straight that divides East and West, Europe and Asia, Bosphorean is steeped in exploring the musical schisms and mythology of the divide. Bosphorean will encompass the psyched out bliss and sonic spectacle of Master Musicians of Bukkake with the sublime Oud playing of Iraqi musician Khyam Allami. Expect forays into Turkish influenced fuzz rock, Desert motorik pulsations and the subtlety of Eastern tinged psyche folk. Khyam’s Oud teamed with the 7 piece out rock unit of Master Musicians of Bukkake. This will be a very special performance that should not be missed! This performance will feature original music composed by both elements of the collaboration and one original piece composed for the group by Seattle Composer and Persian vocalist Jessika Kenney.
http://www.myspace.com/khyamallami
http://www.myspace.com/mastermusiciansofbukkake
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This performance is brought to you by KK Null (Zeni Geva) and Lash Frenzy(Einstellung). KK Null needs no real introduction; regarded as a pioneer ofthe experimental scene by the likes of Sonic Youth and Merzbow, what else is there to say? Lash Frenzy is Andrew Moscardo-Parker’s sound art guise. A blatant disregard to narrative and structure combined with solid walls of sound has seen Lash Frenzy share the stage with the likes of Earth and Melt Banana. For this performance the ‘Lash Frenzy Big Band’, will be joined by Torque, Mort the Sonic and Mr Underwood (Glatze).
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This performance is supported by Japan Foundation
Enter the tiny musical world of Pierre Bastien and Małe Instrumenty. French composer and surrealist inventor Pierre Bastien has been building musical machinery since the 1970s and has worked with artists as diverse as Robert Wyatt and Issey Miyake. His delicate, minimal music created from meccano and pocket trumpet has delighted audiences worldwide. Sharing the bill is Małe Instrumenty, a fantastic five piece orchestra of toys and small instruments from Wrocław, Poland.
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In the exciting build up to the festival, here’s a little treat. You can listen to the Tweak Bird’s new album, not released til August 30 in its entirety on Drowned In Sound, so click here and enjoy!
Tweak Bird are a brother duo from Southern Illinois, think Melvins / Big Business with a sugary pop sensibility. This will be loud and almost too much fun to bear.
Michael Gira has reactivated his No Wave/industrial/apocalyptic folk project SWANS for the first time in 13-years, The Quietus asks him for a track-by-track review.
Read full article + listen to tracks here
Probably the most unique interview I’ve ever done and least flattering photo at that for covertmag
Last weekend I was relaxing in my Moscow Police Cell when I spotted, across the balcony, Capsule co-founder and Supersonic Festival curator Lisa Meyer, and took the opportunity to ask a few questions about what’s been going on with the Birmingham Experimental scene, Capsule, and their Supersonic Festival.
“Hey! Lisa!” I hiss through the steel grated window of my cell.
“What are you doing here?” she says, “and how did you recognise me?”.
“Your dogs wearing a vampire costume.” I say, waving at Frank-furtter. “Anyway, I’m a big experimental music fan, but I’ve been stuck in here a year, so tell me what you got going on!”.
Read more of this bizarrely written interview by Ben Phluxm here
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A nice little plug for Supersonic on BBC Radio 6 that we thought we’d share with you:)
Folks the Paragon Hotel has already sold out!
But don’t fret we have negotiated an amazing deal with ARC apartments based only 15 mins walk from the Custard Factory and for a self catering apartment of 5 people it will cost you just £20 each a night – what a deal.
Staybirmingham.com offers high quality self-catering apartments that are ideal for both short stays and long- term rentals, and conveniently located in the heart of Birmingham city centre. Providing a genuine home from home, all apartments are fully furnished with TVs, sofas, fully-equipped kitchens, dining areas, spacious bedrooms and more. The 24-hour receptions are easily accessed on foot from any of our apartments. Complimentary Wi-Fi Access is available in each room and reception lobby. Car parking is available upon request.
2/3 person apartment special rate of £75 per night
4/5 person apartment special rate 0f £100 per night
Quote ‘SUPERSONIC’ to book at special festival rate
T: +44 (0) 871 971 2952
E: sales[at]staybirmingham.com
Photograph by Pascal Bourdon
A statement by Justin Broadrick about their difficult performance at Hellfest, we can assure you that every care will be taken at Supersonic to make sure that Godflesh are properly sound checked and have the correct equipment.
We can’t wait!
GODFLESH @ Hellfest. Okay, if you were in attendance for this then I am sure you are aware of how disappointed we were with what transpired, and we are sure you are / were most likely disappointed too.
I am afraid that it was all utterly beyond our control, we salvaged a performance out of what was a fairly ridiculous set of events. The power generator blowing during the set from The Young Gods, on just prior to us, was the catalyst for the ensuing chaos. At one point, performing at all was even in doubt. We had an hour allocated for both soundcheck and stage set up, since there is no soundcheck prior to the start of the festival, unfortunately, something that we really did need, but we were having to put our trust in the one hour allocated before performance, this one hour then became 20 short and extremely stressful minutes, with the stage management proclaiming that we must start immediately without any check of the sound, disastrous for us – additionally, the backline they hired in for us was not entirely correct or had faults with it, Ben’s bass rig specifically, my guitar amp was not right either, the monitors were awful without the time for us to correct them sufficiently, resulting in not hearing virtually any of the Machine in the monitors for nearly all of our opener ‘Like Rats’, the DVD machine for our films was also somewhat faulty. In short, this was an absolute frustrating catalogue of disasters, presenting the band in, for us, one of the worst ways imaginable. We do though consider that we somewhat forged a performance out of a significantly bad situation.
We played 40 of our intended 60 minutes ; quite literally onstage I managed to turn 30 minutes into 40 due to ongoing arguments, during our set, with the stage management.
We’re really sorry to everyone concerned that all this happened and hopefully this will all be rectified at the forthcoming GODFLESH performance at the Supersonic Festival, details below, for those who can make it, of course.
By Justin Broadrick
FURTHER ACTS ANNOUNCED FOR
SUPERSONIC FESTIVAL 2010
HALLOGALLO 2010 – Michael Rother + Friends present the music of NEU!
NAPALM DEATH / PEOPLE LIKE US / DEMONS (W/SICK LLAMA) / OvO / CAVE / PART WILD HORSES MANE ON BOTH SIDES / DOSH / TWEAK BIRD / DRUMCORPS / PCM
Joining confirmed acts including:
GODFLESH / SWANS / JAILBREAK FEAT. CHRIS CORSANO + HEATHER LEIGH / MELT BANANA / JAMES BLACKSHAW / LICHENS / BONG / GNOD /VOICE OF THE SEVEN THUNDERS / NECRO DEATHMORT / GNAW / EAGLE TWIN / BLUE SABBATH BLACK FIJI
22 – 24 OCTOBER 2010
Birmingham, UK
www.supersonicfestival.com
Tickets on sale now from:
www.theticketsellers.co.uk
www.seetickets.com
Following the news that the 2010 edition of Birmingham’s acclaimed annual Supersonic Festival will be headlined by SWANS and GODFLESH, Capsule are excited to announce a further round of live acts who will also perform at this year’s festival, including HALLOGALLO 2010 and NAPALM DEATH. Tickets are now on sale!
“I´m thrilled to return to Supersonic this year with my new live project Hallogallo 2010. We will present some favourite music by NEU!, Harmonia and from my solo albums. I look forward to Supersonic this year because two great musicians and friends are joining me in Hallogallo 2010: Steve Shelley (drummer of Sonic Youth) and Aaron Mullan (guitar player of Tall Firs). Expect some fast-forward movement!” – Michael Rother, Hallogallo 2010/NEU!
Capsule are also excited to confirm that unquestionably the most influential band in extreme music’s ferocious history NAPALM DEATH will be performing in their hometown to make their first ever Supersonic Festival appearance. Acclaimed as the creators of Grindcore, Napalm Death will be pushing the envelope of metal to new extremes in what is guaranteed to be an unforgettable performance.
“We are very much looking forward to playing Supersonic this year. It’s always great to play a hometown gig, and with this festival being so diverse musically it’s going to be even more fun for us as we rarely get the chance to play such events – and on the same stage as SWANS, well what can I say?” – Shane Embury, Napalm Death
Also confirmed are an incredible, eclectic mix of music and visual artists, including PART WILD HORSES MANE ON BOTH SIDES with their mesmerizing and unforgettable avant-primitivism, oVo with their incredible combination of heavy riffage, bombastic drumming and unforgettable vocals, as well as a return from the dark lords of Drum and Bass, PCM. DOSH will be performing, complete with mandatory pots and pans, as well as DRUMCORPS, with their unique, high-energy mix of music production values and the raw power of American hardcore.
TWEAK BIRD are also confirmed, bringing their big drums, fuzzed out baritone guitar and tandem spacey vocal melodies, and also CAVE, with their sickeningly tight drum and bass. There will also be multi-sensory art in the form of DJ and multimedia artist Vicki Bennett, aka PEOPLE LIKE US, and dark visual music trio DEMONS (W/SICK LLAMA).
This latest announcement forms part of a series of line up announcements for Supersonic 2010 with many more exciting acts and artists to be revealed in the coming weeks and months.
Tickets on sale now from:
www.theticketsellers.co.uk
www.seetickets.com
Brothers Caleb and Ashton Bird grew up in the woods of Southern Illinois where they first started making loud, heavy music together as young boys and they haven’t stopped since.
Their latest musical partnership called TWEAK BIRD is a band driven by big drums, fuzzed out baritone guitar and tandem spacey vocal melodies. The sound is a swirl of catchy and raw stoner-pop bits that are spliced, blended and expanded upon with unique sections of instrumentation including saxophone, flute, theremin, and even some gong for good measure. But don’t expect any typical lengthy progressive jams with these guys, they make quick work of their arrangements and leave surprises around every corner. They are both brutal and subtle so keep your ears sharp and have fun!
www.myspace.com/tweakbird
Supersonic is produced by Capsule:
Unit 317, Zellig
Gibb Street
Birmingham UK
B9 4AT
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