Home of Metal presents Black Sabbath 50 Years Exhibition


“It’s an honour to be a part of the Home of Metal. I am just a guy from Birmingham who’s been blessed to have had such dedicated fans throughout my career. Like I’ve always said ‘I am nothing without them’.” Ozzy Osbourne

As part of this years Supersonic Festival we are also running in parallel a major season of exhibitions and events Home of Metal devoted to the music that was born in and around Birmingham. Music that turned up the volume, down-tuned the guitars, and introduced a whole new meaning to the word ‘heavy’. With a blockbuster exhibition Black Sabbath 50 Years at Birmingham Museum & Art Gallery.

We have blocked off 3 exclusive time slots for people visiting Birmingham for the weekend of the festival to get tickets for this exhibition. You can access these using the code ‘Supersonic’ for Friday / Saturday / Sunday 

The exhibition celebrates Black Sabbath from the perspective of their fans, to show the impact and cultural legacy of the band as pioneers of Heavy Metal, and to celebrate this unique, significant part of British music heritage.

From the humble beginnings of 1960s Aston, Birmingham, Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Ward created Black Sabbath, in turn forging a new sound, a new aesthetic, and a new musical culture – Heavy Metal. They’ve sold more than 75 million albums worldwide, ranked by MTV as the ‘Greatest Metal Band’ of all time and listed by Rolling Stone Magazine in their ‘100 greatest artists of all time. This year Black Sabbath will receive a Lifetime Achievement Awards at the Grammys. 50 years later Home of Metal celebrates the band, their impact on music and their dedicated global following.


“Fans are our lifeblood, they’ve always been there to support us.” Tony Iommi

This immersive exhibition will feature historical photos, ephemera, and memorabilia sourced directly from all of the original Black Sabbath members. Including personal stories that will demonstrate the extraordinary scale and diversity of Black Sabbath’s international fan-base together with a vast photography collection of over 3,000 portraits of fans from all corners of the globe.

Ben Venom

Read about the whole season via www.homeofmetal.com

Home of Metal Free exhibitions include:

All This Mayhem at MAC (Midlands Art Centre),presents US artist Ben Venom using traditional quilting and Heavy Metal aesthetics to create textile based pieces which contrasts the counterculture components of gangs, punk/metal music and the occult with the comforts of domesticity.

Alan Kane: 4 Bed Detached Home of Metal at The New Art Gallery Walsall, will see Alan Kane bringing together personal collections from metal fans, plus works from leading UK artists including Jeremy Deller, Una Hamilton Helle, Des Hughes, Jim Lambie, Sarah Lucas, Jessica Mallock, Mike Nelson, Simon Periton, Mark Titchner, Cathy Ward, Charlie Woolley and, of course, Alan Kane himself, in an ambitiously collaborative exhibition that will be set across the extensive Floor 3 Galleries.

Hand of Doom at MAC (Midlands Art Centre), the exhibition features a collection of portraits of Black Sabbath fans wearing the ubiquitous battle jacket. The jackets are embellished, handmade and embroidered by the fans themselves, and worn to tell the story of their fandom and gig-attending history.

Monster Chetwynd: Hell Mouth 3 at Eastside Projects, Chetwynd’s fascination with Penelope Spheeri’s three-part film series The Decline of Western Civilisation (1981 to 1998), featuring many of the ‘most influential and innovative musicians and groups of all time’, has informed many of Chetwynd’s works over the past decade and will take centre stage in this large- scale sculptural and performative spectacle set within this industrial space in the heart of Birmingham.

Przemek Branas at Centrala,  Branas, an award-winning and acclaimed Polish artists, will present two exhibitions and a programme of talks and events in response to the theme: Home of Metal. An archival and research based exhibition will feature materials, such as letters, cassette tapes and zines, collected by Polish fans and received by them from the West, at a time the Polish music scene was under state control.



BIG LAD: a two-headed trigger-synth-party-noise machine


BIG LAD is a two-headed trigger-synth-party-noise machine made up of Henri Grimes (ex Sheild Your Eyes) on drums and Wayne Adams (ex Death Pedals) on synths.

This duo are renowned and cherished as an unforgettable live experience having played extensively in the UK’s exceptionally healthy and thriving underground scene. They’re as comfortable trashing people’s necks at sweaty basement punk shows as they are melting gurning faces at raves such as Bangface and are now becoming a staple on many UK and European festival stages every year.


“A mind-expanding kaleidoscope of live and manipulated sounds –

a brutal culmination of breakcore, noise rock and post-hardcore”

Louder Than War



“Are you ready? Let’s play!” exclaims the strangely menacing toy sample which opens up BIG LAD’s new record… and play they certainly do, may God help you if you’re not ready for the off warp speed-drumming ala Lightning Bolt, twists and turns with Venetian Snares and Aphex Twin style synth and gizmo sonic warfare. This isn’t a record to soundtrack a picnic.

‘Pro Rock’ is the second album from the band, their first being 2015’s ‘Big Lad’ record which was released under the moniker Shitwife. They then decided to rename the band BIG LAD, to confuse the crap out of everyone, which it did.


“I usually just come up with hooks and riffs etc.

and we then both start to put them together as recorded songs,

then from there, we work out how the hell to play it all live.”


Last year at Supersonic 2018, Big Lad Wayne joined Gum Takes Tooth for the Moog Sound Lab as part of a residency hosted by the Royal Birmingham Conservatoire. It sounded a little like this…


These pair have a sound that is purely relentless. We can’t wait for them to bring the punk/metal/noise rock/whatevercore electronic-hybrid party to Supersonic 2019!


“They play right in the middle of the crowd. It’s maxed out, exhilarating stuff, which given them the ability to sneak onto pretty much any line up, from a grindcore night all the way to a warehouse rave.”

Echoes & Dust






We are looking for a dedicated team of volunteers to help deliver Supersonic over the festival weekend

19 – 21st July

The festival is small enough for everyone involved as a volunteer to gain an overview of how the festival works, and to give real input and value in the following areas.

Artist Liason

Box Office


Site Set up




If you would like to get involved – please complete the application form



The deadline for application forms is 24th June.

Volunteers must be 18 years old



Daniel Higgs: King of the Cosmos


Photo by Fumilshee.

Daniel Higgs is a musician and artist from Baltimore, Maryland. His artistic output – spanning three decades, numerous albums, books of poetry and collections of drawings simply defy classification.


“The pleasure of following Higgs…lies more in where he takes you

than how he gets you there.” – Pitchfork


Higgs is known primarily for his work as the sole lyricist and frontman of the four-piece band Lungfish, a group enshrined as one of America’s last true folk bands, and Higgs anointed as a patron saint to artistic purity. If you were growing up in the ’80s or ’90s, Lungfish may well have been one of the most important bands in your music anthology. The post-hardcore group tapped into something incantatory, enraging a sense of quest, spirituality and poetry via unmatched raga-like minimalism.

In recent years, Higgs has released a number of solo outings that can only be described as the ultimate in isolation, worlds away from the hypnotic, communal rock of his band. Higgs weaves meditative, casually ruptured drones using acoustic and electric guitar, upright pianos, banjo and jew’s harp, often recorded entirely on a cassette recorder. He pairs the music with a series of paintings that call to mind religious iconography passed through the disfiguring surrealism of Miro.


“A friend loaned me a banjo after I played it for a bit at his house. I switched to it from guitar almost immediately. I love its ancient voice. I love the voice of all banjo-like instruments; shamisen, tar, sarod, sanxian, gimbri, loutar, dhramyen. It’s a universal instrument.”


Daniel Higgs performing at Supersonic Festival 2018…


Dive into the enigmatic mind of the artist in this rare 2005 interview from WYPR’s The Signal…


Often we hear that a true work of art is meant to speak for itself, and with the work of Daniel Higgs the statement rings truer than ever. His art is of the cosmos, we earthlings are merely lucky that it happens to be confined to our atmosphere, in our lifetime.

We welcome back our King of the Cosmos, Daniel Higgs to our 15th Edition of Supersonic Festival, July 2019.

Tickets are available here.




(Wildman life drawing workshop) 



Supersonic, the UK’s premier experimental music and arts event, returns this year for its 15th edition, Friday 19 – Sunday 21 July. We are on the lookout for some wonderfully creative minds to bring us unusual, imaginative and engaging new workshops that will take place as part of the weekend.

From high-brow to indulgent fun, we want you to craft something extraordinary for our curious audiences. Whether you’re flying solo, a group or an organisation, we want to hear ideas that embrace our passion for collaboration between both artists and audience alike, in a bid to reveal the otherwise indescribable connections between art forms and champion the unclassifiable.

The successful proposals will present an innovative idea and show a clear understanding of all-things-Supersonic – a festival which celebrates the expressive, challenging and generally out-there, whilst remaining inclusive and engaging to varied audiences.

To apply please complete this Workshop Proposal Form and send, via email to info@capsule.org.uk with ‘Workshop Proposal’ in the subject line. The deadline for proposals is 5pm, 29th April 2019.

There is a budget of up to £150 available for the workshop, as well as 2 weekend tickets to the festival.

What are you waiting for… send us your proposals!



Day tickets on sale – Supersonic Festival 2019



We are releasing a limited number of day tickets and are delighted to announce ten more artists to the special 15th year anniversary line up. BUY TICKETS

Already announced are headliners Neurosis supported by Godflesh who are opening the festivities with a very special concert at Town Hall Birmingham. Elsewhere across the weekend, and over at the main festival site in the cultural hub of Digbeth are; Anna Von Hausswolff, Mono, Yob, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, plus a special collaboration between The Bug Feat. Moor Mother to name a few.

Joining this already immense line-up are Hey Colossus, Big Lad, Body/Vice (a new project by Natalie Sharp/Lone Taxidermist), Daniel Higgs, The Seer, a new collaborative project with Sarah Angliss, and more.



Friday – Town Hall opening concert featuring Neurosis and Godflesh
+ the after party with live performances by Big Lad, Hey Colossus, Savage Realm and Yob

Saturday – The Bug feat Moor Mother, AJA, Big Joanie, Blanket, CZN, Daniel Higgs, Faten Kanaan, Hen Ogledd, HHY & The Macumbas, Matters, Prison Religion and The Body

Sunday – Anna Von Hausswolff, Mono, Air Loom: Sarah Angliss with Stephen Hiscock and Sarah Gabriel, Body/Vice, Dälek, Haress, Jerusalem In My Heart, Pigs Pigs Pigs Pigs Pigs Pigs Pigs and The Seer



Big Lad is a two headed trigger-synth party-noise machine made up of Henri Grimes (ex Sheild Your Eyes) on drums and Wayne Adams (ex Death Pedals) on synths. They’re as comfortable trashing people’s necks at sweaty basement punk shows as they are melting faces at raves.

blanket as their name suggests, are a guitar-led quartet whose music envelops listeners in a comforting quilt of sound, transporting them to dreamy landscapes of sweeping, celestial beauty. With honeyed vocals immersed in soaring guitars, tinkling piano, warm bass and propulsive drums – this is a cinematic experience.

BodyVice is a new project by Natalie Sharp (Lone Taxidermist). Featuring wearable, playable body-sculptures and interactive video combined with performance, BodyVice takes a biological and calculated approach to sound art, investigating how chronic pain experienced by the artist, can be communicated through a variety of mediums. Here at Supersonic we expect nothing less than effortlessly blended songwriting and multi-instrumentalism with a mastery of non-standard instruments like Musical Saw and Theremin.

Supersonic is proud to reveal the return of Daniel Higgs, musician and artist from Baltimore, Maryland. His artistic output – spanning three decades, numerous albums, books of poetry and collections of drawings simply defy classification. Known primarily for his work as the sole lyricist and frontman of the band Lungfish, Higgs has released a number of solo outings that are worlds away from the hypnotic, communal rock of his band, weaving meditative, casually ruptured drones using acoustic and electric guitar, upright pianos, banjo and jew’s harp. His wonderful storytelling shall no doubt win over the audiences, and we cannot wait.

Based in the Shropshire Hills, the core of Haress consists of guitar duo David Hand and Elizabeth Still. Haress bring to Supersonic an expansion of their duo, including additional drums from David Smyth (Kling Klang, Mind Mountain), guitar and Echoplex from Chris Summerlin (Kogumaza, Grey Hairs, Hey Colossus), vocals from Thomas House (Sweet Williams, Charlottefield) and trumpet from Nathan Bell (Lungfish, Human Bell).

Hey Colossus are a six piece who have long specialised in concocting an unholy racket. Forging a completely idiosyncratic combination of power, control, tenderness, miscontrol and more power. Active since 2003, the band acutely channels the best of your record collections and spit it back out into memorable live shows and releases.

HHY & The Macumbas‘ intense concoctions of harsh brass sounds, cyclical percussion and idiosyncratic dub techniques mark this elusive Portuguese ensemble out as one of a number of pioneering groups to have emerged from the progressive, experimental music scene in Porto. This music stemsfrom a deep connection with the streets of Porto and its undertones, nights and drags. Emerging from SOOPA, an art and music production unit based in the old harbour city, band leader, Saldanha has been a leading force in the Portuguese experimental music scene since the early 2000s, through which he coined a name for their signature sound; “skull-cave echo.”

Matters formed in 2015 in the old factory spaces of Digbeth. The three piece utilise synths, guitars and drums to create expansive music, blending Krautrock, psychedelic, post-rock and techno into a rich and powerful sound. Their debut was released on Static Caravan Records in 2018. If you’re into dark and eerie instrumentals, give Matters a listen. Their complex and frantic sound wouldn’t be out of place as the backdrop to an intense movie scene.

Composer and performer Sarah Angliss presents Air Loom, distilling a lifetime’s work with ancient instruments and extraordinary electroacoustic techniques. Centre stage is the clavisimbalum, a sonorous, fourteenth-century cousin of the harpsichord. Its plucked, soft iron strings ring with a rich, dark reverberance – a sound that hails from Eastern European folk and the Renaissance court. Angliss is joined by vocalist Sarah Gabriel and percussionist Stephen Hiscock. As they play, their sounds are deftly contorted, fragmented and recombined using Angliss’ digital inventions.

It’s hard to be a god in a Savage Realm. Mind-warping music from five individuals who have stared deep in to a portal to an ancient (or is it modern?) parallel universe where the Demigod ’91 demo is the only remaining cultural artefact of a putrid battle-torn existence. Taught the ways of the post-nuclear mutant warrior people of this land, the band returned from their mystic voyage to the future (or was it the past?) with four relics. They call it “Nocturnal Savagery” but only you, the listener, can decide whether you are capable of making it out the other side alive. Absolutely essential listening for all fans of heavy music.

WORLDZERO is a brand new project that sees the collaboration between THE SEER, UKAEA and IMPATV, bringing together performance, sound, lighting and projection mapping to create an ambitious multi-sensory installation and live performance.


NEW PODCAST RELEASE – Supersonic acts announced so far!



Well hello.
It’s 15 weeks to go until Supersonic Festival 2019.
The 15th Edition.
We have another line-up announcement just around the corner, so before we throw some more acts your way we thought we’d round-up all the acts announced so far for this year’s festival in one neat little package.
Get yer lobes ’round this!









10 more acts announced for Supersonic 2019


We are delighted to reveal ten more artists have been added to the special 15th year anniversary line up. The latest additions include; Anna Von Hausswolff, Mono, Yob, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, Faten Kanaan, Dalek,, CZN, Big Joanie, Prison Religion and AJA.

Already announced are headliners Neurosis supported by Godflesh who are opening the festivities with a very special concert at Town Hall Birmingham. Elsewhere across the weekend, and over at the main festival site in the cultural hub of Digbeth are; The Bug Feat. Moor Mother, The Body, Hen Ogledd and Jerusalem In My Heart.

Weekend Tickets have been flying out and we are set to sell out this year – don’t miss out — BUY TICKETS HERE
About the new additions…

Anna von Hausswolff
returns to the Supersonic stage once more after stunning the crowd in Birmingham’s Town Hall in 2017. Since then, Anna has gone on to release her fourth album Dead Magic met with much critical acclaim. Her music defies categorisation, it is not about gothic rock, pop, drone, dark music or metal, this is music of the spirit and the blood; the feast and the ritual; the baptism and the epitaph; life and its absence in all its poetics; a communion in which one dies and returns to life many times.

We welcome back to the festival Big Joanie  who have described themselves as being “Similar to The Ronettes filtered through ’80s DIY, and Riot Grrrl, with a sprinkling of dashikis”, New Jersey hip hop act Dälek who have a penchant for monolithic sound arrangements as well as dream-like haze of sheer volume, they combine both the powers of sound and words with a singular and undisputable style, and Pigs Pigs Pigs Pigs Pigs Pigs Pigs, the Newcastle-based maximalists whose riffs, raw power and rancour have blazed a trail across the darker quarters of the underground in the last five years. We just couldn’t celebrate our 15th edition without these fellas helping to bring the party vibes and comedy banter.

Other exciting additions to the line up include…
AJA who deploys rhythmic noise, bomb heavy drum machine, convolving vocal utterance and a dedicated hell-scape of field recordings, abrupt sound design and blistering drone to her legendary live performances.

CZN an exciting new collaborative project by  percussionist and sculptor Joao Pais Filipe and Valentina Magaletti (Tomaga, Vanishing Twin, uuuu). The duo create rich tapestries of hypnotic rhythms, evolving the sound of drums and percussion into vivid textures: visceral timbres and telescoping rhythms that surround and beguile, and which hint at the meditative states of spiritual jazz as much as the cerebral counterpoint of Minimalist Composition.

Faten Kanaan
 is a NY based artist. Her performances slowly build songs by live-looping them, without the use of sequencers or arpeggiators. Inspired by cinematic forms: from sweeping landscapes and quiet character studies, to the patterned tension of horror film soundtracks; she focuses on bringing a visceral touch to electronic music.

MONO who, across 10 albums in 20 years have convincingly reflected the quietest and most chaotic parts of life through their music. Their ever-expanding instrumental palette – which began in earnest in 1999 with the traditional guitar-bass-drums rock band setup and has evolved to include as many as 30 orchestral instruments.

PRISON RELIGION is the collaborative project of Richmond-based audio/visual artists Poozy and False Prpht. They draw on slivered, staticky forms of electronic music – industrial, noise, techno, and the sort of glass-shattering bass-heavy stuff that people have come to call deconstructed club music.

And finally for now, the epic, crushing, and heavy beyond words trio YOB who by now has achieved legendary status due to their unmatched aesthetic and incredible body of work.
YOB has succeeded in developing modern sounding doom metal that hearkened back to the classics.
See full line up HERE / Hotel deals HERE

During Supersonic Festival, patrons are encouraged to explore the various Home Of Metal exhibitions curated and produced by Capsule the people behind Supersonic Festival. This will include ‘Black Sabbath 50 Years’ at Birmingham Museum & Art Gallery, as well as related exhibitions at The New Art Gallery Walsall, MAC (Midlands Art Centre) Eastside Projects, and Centrala. This huge season of exhibitions and events throughout 2019 pays homage to Black Sabbath – the forefathers of metal, and should at last confirm Birmingham’s place on the music map.


Happy International Women’s Day 2019!



International Women’s Day is a worldwide event that celebrates women’s achievements – from the political to the social – while calling for gender equality.


Recognised each year on March 8th (as in today), this is a celebration not affiliated with one group, but is marked by governments, organisations and charities around the world with performances, talks, rallies and marches for women and non-binary across class, cultures, religions and nations. Whatever your gender identification, International Women’s Day is a valuable commemoration.

>> Join Supersonic’s #IWD2019 celebrations TOMORROW NIGHT<<

Despite being something which has been observed since the 1900’s, the past few years have seen a surge in visibility surrounding the ongoing issues around gender inequality, and in particular programming in the Arts and Music sector. While there are certainly changes being made and avenues put in place to tackle these discrepancies, there is still in 2019 room to #BalanceforBetter. Recent research shows that just 17% of songwriters registered with PRS identified as women and since 2012 female record producers have been outnumbered 47 to 1. International Women’s Day is a fantastic opportunity to address and tackle the change we want to see world wide.

That being said, we still recognise that celebrations of female identifying artists are not refined to just one month- indeed, one day- of the year. As an organisation spearheaded by women, Capsule & Supersonic Festival take pride in platforming such a vast variety of female and non-binary artists from all over the globe, encapsulated by their sheer talent, craft, and voices they chose to represent. From the office, to the stage, to the mosh pit- Supersonic women take up space!

As ever, Supersonic would like to take this opportunity to say a huge thank you to the wonderful composers and musical creators who we are privileged to work with – male, female and non-binary – and whose work continues to inspire us daily.


We sincerely hope you join us in our own International Women’s Day celebrations TOMORROW at Centrala, for performances from Youth Man / Bas Jan / Rattle / Sarah Farmer & Godspeed You! Peter Andre.



On this Superspecial podcast we celebrate Supersonic WOMEN!
With International Women’s Day just around the corner on March 8th and our show in celebration of it the next day on March 9th at Centrala Birmingham (GOT YOUR TICKETS YET?!), on this show we cover the bands MAKING NOISE at the gig this Saturday and just some of the awesome female-led acts we’ve announced so far for Supersonic Festival 2019
INCLUDING SPECIAL FEATURE: Anna chats to Katy from RATTLE who perform this Saturday – learning about what’s happening with the dynamic duo, their long-standing relationship with Supersonic, their influences, with Katy choosing some bangin’ tracks.




Fat Out til you Pass Out



Well come join us on Saturday March 9th as we celebrate INTERNATIONAL WOMEN’S DAY…AND THE DAY AFTER THAT…AND THE DAY AFTER THAT…AND THE DAY AFTER THAT…and the day after that… and that… and that…

With Supersonic Presents…




Today we’re shouting about the awesome Emma Thompson, creative director of Fat Out – curating shows for the rowdy, weird & obscure since 2008. 

From the burgeoning underground scene in Salford, Manchester, Fat Out venture into the obscure and creative potential of artists both locally and internationally with an aim of discovering new and adventurous music and producing captivating live shows for both artist and audience alike. Aside from aiming to promote a combination of challenging, intense, experimental and downright rowdy music, one of the driving ideals is to treat artists with the respect, trust and professionalism deserved.

Here’s what a Fat Out fest looks like…


Cementing the true collaborative spirit we experimental independent programmers share, back in 2017 at the last Fat Out fest, Supersonic curated a stage on the Sunday of the festival. At 2018’s Supersonic, the Manchester crew descended in full force bringing us Fat Out DJ sets across the weekend, the gorgeous glitter station & Emma even appeared in the infamous Supersonic Supergroup! We continue our loving relationship with Fat Out via the Outlands Network as well. If you haven’t heard about this yet, it’s a cohort of experimental music & art promoters & venues across the UK aimed at touring bold, adventurous collaborations to multiple regions. Emma is a partner in the cohort, the Fat Out curated tour is still to come later this year – hold on to your seats!

Aside from all the awesome work Emma does as a curator, she’s a creative force to be reckoned with in her own right. Her newest creative outlet in collaboration with Kaskie, Godspeed You! Peter Andre is something to behold – gothic duo set to collide the world of pop royalty with deep dark witch music. They will be opening up proceedings on March 9th for our celebration at Centrala, so be sure to get down for doors at 7pm to catch their set!


The Manchester crew are descending on Brum in full force for our shindig next week. As well as GSY!PA, we’ll be getting a Fat Out DJ set & FABULOUS glitter station once again, darlings. We can’t wait to hang out with our pals from up North. One thing’s for sure, these gals know how to party.

So don’t miss out on all the fun and be sure to GET YOUR TICKETS! for what’s set to be a riotous night!


See you there friends.



YOB: Doom Metal Masterminds



Epic, crushing, and heavy beyond words, YOB has achieved legendary status in recent years due to their unmatched aesthetic and incredible body of work. The band join a line-up with the likes of heavy noise legends Neurosis and Godflesh, bringing to the Supersonic stage their uniquely developed, modern sounding doom metal which harks back to the classics.




Formed in 1996 in Eugene, Oregon under the leadership of doom metal mastermind Mike Scheidt on guitars and vocals, the group have continually reinvigorated and reinspired their sound over the years. From doom with a psychedelic twist (a sound referred to by Pitchfork as ‘cosmic doom’), to aggressive, impassioned riffs of their latest cathartic album Our Raw Heart, there are few bands that do what YOB do.


“The band envelops you without hard sell, in big and small ways…Yob might be one of the best bands in North America.”- The New York Times


With massive riffs and captivating vocals, YOB bleed out riveting performances of enormous volume with pensive, transcendental beauty. From their earlier, more grizzly sounds, their latest music exists in its own organic universe. The stirring Our Raw Heart album was created after guitarist and vocalist Mike Scheidt suffered from a severe episode of diverticulitis, and realised on stage shines with ebbs and flows from ballad-like meditations to the caustic grunge of the bands origins. Their performances move with a graceful molasses cohesion, moved by strong processional grooves from the bassist Aaron Reiseberg and the drummer Travis Foster, lightened by the unique tone of Scheidt’s guitar which continuously bends and transforms each careful note. They are the apex of what heavy music can achieve, and will melt yer face off this year at Supersonic’s very special 15th anniversary.

DON’T MISS OUT. Get your tickets NOW!



Jerusalem In My Heart: Balancing Tradition with Experimentation


A recording project and live duo with an accompanying focus on analog film visuals, Jerusalem In My Heart performances feature a wide array of multi-media and theatrical elements, with no two shows ever being the same.




Jerusalem In My Heart (JIMH) is the acclaimed Montréal–Beirut contemporary Arabic audio-visual duo of musician/producer Radwan Ghazi Moumneh and experimental analog filmmaker Charles-André Coderre.

Guided by Moumneh’s melding of ‘traditional’ melismatic singing (in Arabic) and buzuk playing, with modern deployments of modular synthesis, filter banks, power electronics, field recordings, JIMH pay homage to the blown-out distortions of historical Arabic cassette tape culture, processed through modern currents of electronic music. Moumneh’s lyrical themes are deeply expressive and rich in political and socio-cultural historical consciousness, all of which are complimented by the 16mm film loops and projections that are an integral part of the JIMH aesthetic identity.



With subtle drones and tensive ambiances coming together, JIMH builds an atmosphere that transitions organically into Middle Eastern melodies, with distortion and noise joining aspects of electronic production. Orchestrally, their music creates a potent element which results in a rich sonic offering, the joining of numerous instruments meeting to bring together transcendental experimental folk music.

There is a certain spiritual element that sprouts from many forms of traditional music, but there is something distinct about JIMH Arabic melodies. Carrying the listener through different areas, from minimalistic, to heavy atmospheres to moments of free-jazz spirituality and drunken rendition, the buzuk and percussion lead the way through bizarre, hazy projections while repetitive motifs build on a momentous sonic illusion.

With another 10 acts JUST ANNOUNCED for our very special 15th year anniversary, this is a Supersonic weekend NOT TO BE MISSED!

Get your weekend tickets here.




Anna Von Hausswolff: the supernatural soprano.


Anna von Hausswolff returns to the Supersonic stage once more after her stunning performance in Birmingham’s Town Hall, Supersonic Festival 2017, following the release of her critically acclaimed album Dead Magic.


With a dense atmosphere of cyclical soundscapes to dive into, the world of Swedish, Gothenburg composer Anna Von Hausswolff totally envelops the listener. Hausswolff brings an uncompromising intensity to her performances, with a live sound urging to be sliced open; revealing industrious rhythms and penetrating vocals. A fascination with death, mysticism and spiritual visions beyond mortality reign throughout the musician’s trajectory, outlined by the title of her debut album, Singing From The Grave (2010). Since this release, she has developed her sound from self-contained, intimate chamber-pop to a gargantuan, ethereal beast of sonority.

Death is a good reminder of what you should be concerned about” 

As we learned from her stand-out 2017 performance at Birmingham Town Hall, the pipe organ features significantly in her work. In an interview with The National, she spoke of the physically-demanding nature of the instrument, “You are working with your hands and feet, and you have all these stops that you are pulling in and out to make flute sounds, or maybe trumpet sounds. If you are playing fast it’s like dancing – you have to move the entire body to make it work.”

Her first live performance on a pipe organ was at Lincoln Cathedral and in rehearsal, the church staff voiced fears her playing was too loud for the legendary Henry Willis organ and banned her from playing on certain reed pipes, which meant rearranging 20 minutes of her set entirely. Then, just 30 minutes before the show after practicing again she was banned from using any of the reed pipes at all. Sheer rock and roll.

Anna Von Hausswolff at Birmingham Town Hall, June 2017

“A supernatural soprano has earned Von Hausswolff frequent (and not unjust) comparisons to Kate Bush. Dead Magic sees her shaking off those parallels, stretching from honeyed laments to hex-breaking wails and alien ululations that feel entirely her own.” The Guardian

Another totally enigmatic element to Anna’s sound which is important to note is – her voice. It seems with her most recent outputs that it has been unleashed to it’s full potential. Moments of Bjork-esque cascading fragility are soon upturned with bone-shattering shrieks and growls, harking the influence of Diamanda Galás.

Ultimately, Hausswolff transcends labels of gothic rock, pop, drone, dark music and metal, this is music of the spirit and the blood; the feast and the ritual; the baptism and the epitaph; life and its absence in all its poetics; a communion in which one dies and returns to life over and over again.

Here at Supersonic we cannot wait to once again bear witness to this gothic tour-de-force. We expect nothing less than an unearthly spectacle of light and sound, embodying sonorous synth and guitar reverberations.

Weekend Tickets for Supersonic Festival 2019 including Anna Von Hausswolff’s performance are on sale here.


The Bug & Moor Mother collab



Over in Digbeth and across the 15 year anniversary weekend, Moor Mother shall bring her viscerally charged output, and unstoppable energy to an innovative new collaboration with Supersonic veteran The Bug- who first appeared at Supersonic Festival’s first ever edition back in 2003- joining the dots between mutant strains of dancehall, acid ragga and grime.


“It’s angry and ferocious, but always triumphant: When it threatens to bust out your windows and rip holes in your speakers, it crackles with the kind of force that makes you want to punch the air as hard as your subwoofers do” Pitchfork on London Zoo, released on Ninja Tune


The Bug: The main mutation of producer Kevin Martin who over the years has been, and is also currently, known under many guises, and has been screwing around with deep bass for well over a decade. From his first release in 1997, a concept album called Tapping the Conversation, his sounds have evolved from alternative prototypes of dubstep and instrumental hip-hop to a charged, digital ragga with a repertoire of grimy, distorted beats and mutated dancehall.

With punishing, acid-burnt dub electronics, The Bug’s music has been described as a manifestation of how London has transformed the sounds of Jamaica to its own ends, from 2-tone to jungle to dubstep, with rhythms so pervasive and locked in that after a while you start hearing the spaces in between as much as you’re hearing the beats themselves.


In light of this very special Supersonic year, The Bug will be joined by Supersonic’18 artist Moor Mother, a musician, poet, visual artist and workshop facilitator who has performed at numerous festivals, colleges, galleries and museums around the world. In line with her own description, the viscerally charged Philadelphia based artist and activist, Camae Ayewa, creates music which weaves between “blk girl blues”, “project housing bop” to “slaveship punk”, with these self made categorisations allowing Moor Mother to be fluid and interdisciplinary with her expression. Her music is often harsh, confrontational, projecting both the cathartic anger of punk and the expansive improvisatory spirit of Sun Ra into an output that is consistently grounded in a sense of history and story-telling. Through her blending of hip-hop, samples, spoken word and free jazz into collages that shudder with both pride and anger she charts centuries of abuse against black people, the differing textures working in tandum to create a strange, jarred beauty.



As Robert Aiki Lowe’s guest curation, Moor Mother made an impression not only with her enigmatic live set, but also with her compelling Q&A and time with the MOOG Sound Lab. Her collaboration with The Bug is set to be a hugely anticipated performance, and if their 2018 performance as ZONAL (The Bug and JK Flesh) and Moor Mother at Caixaforum, Barcelona is anything to go by, Supersonic audiences are in for a set of punishing volume and intense bass.

Tickets for Supersonic Festival 2019- 15th edition- are available HERE!!!


The Body – redefining heavy music


“If there is one band in 2018 that defines what it means to make ‘heavy’ music, then that band is Portland-based duo The Body.” – Metal Hammer


Absolutely no one makes music like The Body.

We’re so excited to be bringing The Body from Portland to Brum this July – adding to the ever raucous Supersonic Festival 2019 line-up & promising to be an unmissable set!


With each release, the duo of Lee Buford and Chip King continue to defy the constraints of what it means to be a “heavy” band, seamlessly combining composition or production approaches from hip hop, pop, classical, as well as rock and electronica resulting in a rich and utterly singular sound. Equally at home on festival stages, art spaces, or in DIY basements, they transcend musical boundaries. Their ambitious creativity shapes their bleak worldview into propulsive, affecting, and even danceable music often drenched in distortion. On I Have Fought Against It, But I Can’t Any Longer The Body challenged themselves again by turning their compositional approach on its head, choosing to build the record on their own samples rather than recording the basic tracks of drums and guitars and processing those. The results carry the listener towards the brink of emotional and musical extremes. I Have Fought Against It… conjures the sublime from an unexpected and incomparable variety of sounds.

As they say themselves: “We’re not angry, we’re just really sad.” And it shows.

The Body are known for their intense, abrasive live shows, whose waves of dissonance create an abiding dread or an overwhelming sense of terror. They create a volume of sound almost unfathomable from a duo and are unaffected by instrument choice: guitar and drums, or keyboard and synthesizers. Inventive producers, the duo expand their recorded sound palate with regular contributions from the likes of Chrissy Wolpert (Assembly of Light Choir), and Ben Eberle (Sandworm), arranged with help of longtime engineers Seth Manchester and Keith Souza (Machines With Magnets). Wolpert’s ethereal calls and Eberle’s vicious growl are augmented by Lingua Ignota’s Kristin Hayter, whose impassioned voice features on the viscerally emotional “nothing stirs.” On “sickly heart of sand,” vocal tradeoffs between King and Hayter’s are punctuated with the howls of Uniform’s Michael Berdan. With The Body’s keen sense of balance, the ferociousness of these extreme performances are underpinned by the elegance of string swells and pensive, even melodies from a lone piano.

For The Body, any source of inspiration is fair game to achieve their distinct atmosphere of unbearable dread, pain, and sadness. “Partly alive” places rolling drum figures, commonly found in pop, and transforms them with a backdrop of horns, skittering synthetic hi hats, and pitched feedback. The oppressive groove of “an urn” pulls beat arrangement and melodic ideas from disparate electronic influences. Their eclectic sampling choices are both musical and literary from singjay star Eek-A-Mouse to a reading of Bohumil Hrabal to the Clarice Lispector quote on the album’s artwork and beyond. The album title, an excerpt of Virginia Woolf’s suicide letter, is an apt moniker for the pervasive themes of loss, desperation and loneliness throughout. Carefully selected samples and literary references bolster the album’s emotional heft. I Have Fought Against It, But I Can’t Any Longer proves how truly adventurous and diverse a creative force The Body has become. The Body continue to push the boundaries and definition of what is heavy music, their ingenuity unparalleled.






Outlands round-up: Ecstatic Material with Beatrice Dillon & Keith Harrison



On Saturday 9th February team Supersonic were thrilled to present the another night of leftfield oddities in the name of OUTLANDS, the UK’s new touring Network of experimental music. ‘Ecstatic Material’, the first Outlands tour of 2019, combined sound and substances from two original  figures in their respective fields; musician and producer Beatrice Dillon and artist Keith Harrison. Curated and produced by Jennifer Lucy Allan and Al Cameron, this live sound experiment was an immersive treat, conducted through a modular system made up of malleable materials, light and multi-channel audio which is constructed, choreographed and diffused by the artists at Centrala, Digbeth. 




Tour support came from DJs Copper Sounds from Bristol. Their primitive, tactile form of turntablism mesmerised the room, intrigued by their unique spinning of copper dubplates, ceramic pots, and heavy icelandic rocks. Earlier in the day the pair hosted a workshop in which Supersonic audience participants got to design and cast their own playable wax 7″ to take home.



After some warm up sets from both Copper Sounds and UUOO (from an impressively technical suitcase…), it was time for the live sound experiment to begin upstairs.

Drawing upon Keith Harrison’s renowned art practice transforming raw materials and Beatrice Dillon’s rhythmic computer music compositions, this jointly developed palette of playdoh pumping sound system and sound synthesis summoned a sensory site of elasticity, interference and reaction.



With Dillon playing through the multi-channel system, the speakers circling the room came to life in bounces and reverberations, each substance within- fluffy powers to coloured liquids- rippling in movement. This focus on interaction and the morphing of material is beautifully displayed, with Dillon’s music creating a trance like atmosphere.



Huge thank you to the artists and curators, and to all who came to experience the immersive piece. Keep an eye out on our website and socials for upcoming OUTLANDS events, or catch the rest of Ecstatic Material on tour at Cambridge Junction tonight, MK Gallery 13th Feb, South London Gallery 14th Feb and De La Warr Pavilion 15th Feb.



YOB join Supersonic Festival 2019 Friday line up!



We are delighted to announce that joining probably the heaviest night of music Brum has ever seen is… YOB
On Friday July 19th, opening Supersonic Festival 2019 in grand style at Birmingham Town’s Hall will be Godflesh and Neurosis.
Then join us for the after party on festival main site where we will host YOB and an array of experimental acts amidst the industrial back streets of Digbeth, Birmingham – the Home of Metal.
Friday tickets SOLD OUT in record time but you can still access both the Town Hall show and main festival site for 3 days of mind-bending music and art with WEEKEND TICKETS – ON SALE NOW!
So don’t miss out! More acts to be announced soon.


“Intimidating as it can sound, YOB’s music is some of the most inviting in contemporary metal. Scheidt can make the most grinding riff feel soothing, like a vision quest that comforts and imbues purpose even as it tests the listener.” – Pitchfork

Epic, crushing, and heavy beyond words, YOB has achieved legendary status in recent years due to their unmatched aesthetic and incredible body of work.

Formed in 1996 in Eugene, Oregon under the leadership of doom metal mastermind Mike Scheidt on guitars and vocals, the group initially released a three song demo tape in 2000 that garnered them international attention. Drawing comparisons to groups like Neurosis, Sleep and Electric Wizard, YOB succeeded in developing modern sounding doom metal that hearkened back to the classics.

In 2018, the band announced their newest album ‘Our Raw Heart’ to be released on Relapse Records. As for how Our Raw Heart will be received? Mike Scheidt (guitar/vocals) is wise enough to know that it’s out of his hands. “I think every era of Yob fan will find something on there to dig—it’s just a matter of whether they can go on the whole trip or not,” he ventures. “And that’s none of my business. The music has a life of its own. It goes out there into the world and it’s gonna be received however it’s received.”



Supersonic’s Tirikilatops Weekend- ROUND-UP


Well, that was one bizarre-colourful-dada-krazykpop-hella fun weekend!

With two sold out shows we were crafting and bopping all over the place with Tirikilatops, bringing UFOs, snail parties and magic formulas to the streets of Birmingham at both Artefact and Mac Birmingham following their performance at Supersonic 2018.





An Evening with TIRIKILATOPS 

Starting the weekend we had a truly weird and wonderful night at Artefact, an artist-led, community-focused arts space in Birmingham. Acting as a pre-cursor to the Supersonic Kids Gig the next morning, Supersonic hosted an evening of mask making ahead of a more intimate- yet no less raucous- Tirikilatops show into the night. The k-pop duo led a Korean Dokkaebi Mask making workshop with some…err…interesting results…with these final products being shown on the dancefloor with the audience dancing to some Kimchi beats.







The following morning marked the return of the Supersonic Kids Gig at Mac Birmingham, bringing more almighty sounds for little people. If you couldn’t guess from the snappy title, it’s a gig, for kids and their families, which aims to introduce children to experimental music at an early age.


With the fabulous Sam Underwood introducing, our tiny audience members (and not so tiny parents) were taken on a journey through sound loops, Korean animal names, monster making and a bit of instrument playing themselves. With the forging of bizarre electro K-pop with kimchi beats, offbeat lyrics and super earworm melodies, this force of surrealism, dada, forteana and charity shop finds may have been our most eclectic Kids Gig yet!



Big love to all who joined us for this unforgettable weekend, with thanks to Artefact and Mac Birmingham for hosting and to Tirikilatops for guiding us through a surreally superb weekend.

DON’T MISS OUT ON OUR UPCOMING EVENTS! Both our Tirikilatops events were sold out shows, so CLICK HERE to see what’s coming up and get your tickets in time!!




New Supersonic podcast release!!


^^^ Get yer lobes ’round that!

Join us for another round of the Supersonic podcast as we venture through the delights of 2019. We delve in to our jam-packed Supersonic schedule, taking you through our year-round programme and the newly announced artists for Supersonic Festival 2019 – the big 15! Yes, that’s right, it’s a special anniversary year for the festival and we’re celebrating in style. Be sure to tune in on a monthly basis to keep up to date with Supersonic announcements (as this year will be full of ‘em) and to get to know the artists ahead of the festival.


(Tirikilatops performing at Supersonic 2018)



Feb 2ndAn evening with Tirikilatops @Artefact

Feb 3rdSupersonic Kids Gig with Tirikilatops @MAC

Feb 9thEcstatic Material: Beatrice Dillon & Keith Harrison @Centrala

March 9th#IWD Event: Youth Man, Bas Jan, Rattle, Sarah Farmer, Godspeed You! Peter Andre @Centrala

March 29th SOLD OUT Pigs pigs pigs pigs pigs pigs pigs & Cattle @The Hare and Hounds


July 19thNeurosis & Godflesh opening Supersonic Festival at Birmingham Town Hall

July 19th – 21stSupersonic Festival 2019, the 15th edition, Digbeth Birmingham





What’s occuring? A full overview of Supersonic’s upcoming shows


2019 marks 15 years of Supersonic, meaning 15 years of the same adventurous, independent spirit playing host to some of the most ground breaking musicians and artists from around the globe, from LCD Soundsystem, Anna Von Hausswolff, Holly Herndon and The Bug to SUNN O))), Jenny Hval, Godflesh and Mogwai.

This year we have the honour of adding heavy music pioneers Neurosis to that ever growing list, but the fun doesn’t stop at one weekend. We have a consistently curious year round programme which promises to make 2019 a corker. Here’s what we have coming up…


January 28th

The Messthetics 

Hare & Hounds Kings Heath

The Messthetics are an instrumental trio featuring Brendan Canty (drums), Joe Lally (bass), and Anthony Pirog (guitar).

Brendan Canty and Joe Lally were the rhythm section of the band Fugazi from its inception in 1987 to its period of hiatus in 2002. This is the first band they’ve had together since then. Anthony Pirog is a jazz and experimental guitarist based in Washington, D.C. One half of the duo Janel & Anthony, he has emerged as a primary figure in the city’s out-music community.

The trio’s debut includes nine songs recorded at Canty’s practice space throughout 2017, live and mostly without overdubs. It’s a snapshot of a band dedicated to the live ideal, where structure begets improvisation.

Guitar + synth + guitar formation Matters will be supporting this event, who smashed their set at our end of year show at Centrala.



February 2nd 

An evening with Tirikilatops

Artefact, Stirchley

For a truly weird and wonderful Saturday night, join us in the lovely setting of Artefact in Stirchley for an evening of crafting and bopping with Tirikilatops. Acting as a pre-cursor to their Supersonic Kids Gig the next morning at MAC, we’ve invited the surrealist k-pop duo to lead a Korean Dokkaebi Mask making workshop followed by a live performance in this super intimate, relaxed local café because well, us grown-ups deserve some dada fun times too!

Come along for an hour or so of mask making over a lovely glass of vino, some local craft beers or a wonderful selection of teas & coffees, then finish it all off with a boogie to some Kimchi beats. Why not ey?!

Be sure to act fast for this one, with a limited capacity of 50 TICKETS.


February 3rd

Supersonic Kids Gig – Tirikilatops

MAC Birmingham

Big Sounds for Little People. If you couldn’t guess from the snappy title, it’s a gig, for kids and their families, which aims to introduce children to experimental music at an early age.

This event is led by Tirikilatops, an avant-garde, cross-cultural, collaborative effort between UK and South Korean artists/musicians who you may remember from last year’s Supersonic Festival. Together they forge bizarre electro k-pop from an ingredients list that contains kimchi beats, pop sensibilities, offbeat lyrics, hacked keyboards and super earworm melodies. Their guiding forces are surrealism, dada, forteana and charity shop finds. This could be our most eclectic Kids Gig yet!

Recommended for children under 10, all children must be accompanied by an adult.



February 9th

Ecstatic Material – Beatrice Dillon & Keith Harrison


Supersonic Festival and Outlands proudly present ECSTATIC MATERIAL, a dynamic sound sculpture made and performed by electronic musician Beatrice Dillon and visual artist Keith Harrison in a brand new collaboration.

This live experiment with sound and substance will be conducted through a modular system made up of malleable plastics, coloured light and multi-channel audio which is constructed, choreographed and diffused by the artists into the performance space.

Tour support comes from DJs Copper Sounds who spin copper dubplates, ceramic pots, and heavy icelandic rocks, using these materials to create a primitive and tactile form of turntablism. They will also lead a daytime workshop at each tour venue, where participants can design and cast their own playable wax 7” and take it home with them.



March 9th

Supersonic presents Youth Man/Bas Jan/Rattle/Sarah Farmer/GSY!PA


March 8th marks International Women’s Day…in celebration of this we’re throwing a party on March 9th because we just don’t think it should end after 24hours. We celebrate the incredible Women artists we champion in our Supersonic line-ups all year round. We celebrate the Women that work their bums off to make Supersonic happen. We celebrate the Women of our audience who sure know how to have a good time! From the production office, to the stage, to the mosh pit – Supersonic Women take up space!

Headlining, as they bloody well should be, local faves Youth Man are set to smash up the stage with their raucous punk energy.

Joining them on the line-up: experimental post-punk trio BAS JAN, explorative minimalistic drum duo Rattle, improv violinist, sound artist & instrument maker Sarah Farmer AND gothic duo Godspeed You Peter Andre colliding the world of pop royalty with deep dark witch music

Plus DJs til late and of course, Glitter Station.



March 29th

Pigs x 7 + Cattle

Hare & Hounds Kings Heath

The Pigs return to the Hare & Hounds for this sold out show with Supersonic 2018 faves Cattle. Strap in for a night of double drumming, heavy riffs, sweaty Pigs and thundering hooves in an intimate venue- perhaps your last chance to catch them playing in space of this size.


July 19th

Supersonic Festival 2019

Supersonic Festival are immensely proud to announce iconic pioneers of heavy music, Neurosis as their 2019 headliners, with some more incredible names on the horizon for a programme that has you shaking in your boots. Supporting them are Brum legends and pioneers of industrial sound, Godflesh, which promises to be an unfortgettable experience. Justin K Broderick has a longstanding relationship with the Festival, as Supersonic have presented (and premiered) a number of his musical projects over the years.

Over in Digbeth across the 15 year anniversary weekend, Moor Mother shall bring her vicersally charged output, and unstoppable energy to an innovative new collaboration with The Bug – who first appeared at Supersonic Festival’s first ever edition back in 2003. Joining the dots between mutant strains of dancehall, acid ragga and grime. Joining them will be a mixture of intense, mesmerising live performances from The Body, as well as Richard Dawson outfit Hen Ogledd and contemporary Arabic audio-visual duo Jerusalem In My Heart (JIMH).

Be sure to keep your eyes peeled for further announcements around the festival for a Supersonic year not to be missed.



Godflesh and more announced for Supersonic 2019


As part of Supersonic Festival‘s 15 year anniversary year, heavy music pioneers Neurosis shall be headlining in the stunning historic Grade I listed Birmingham Town Hall and we are thrilled to announce that supporting them are Brum legends and pioneers of industrial sound, Godflesh, which promises to be an unfortgettable experience. Justin K Broderick has a longstanding relationship with the Festival, as Supersonic have presented (and premiered) a number of his musical projects over the years.

The venue has a firm place in Birmingham’s musical heritage, having played host to the likes of Black Sabbath and Led Zeppelin in the 60’s and 70’s, which ties in nicely with the major Home Of Metal exhibit that shall be taking place in tandem to the festival – celebrating the forefathers of Metal – Black Sabbath.  The Town Hall Supersonic event is limited capacity so patrons are encouraged to book now to avoid disappointment.

Over in Digbeth and across the 15 year anniversary weekend, Moor Mother shall bring her vicersally charged output, and unstoppable energy to an innovative new collaboration with The Bug – who first appeared at Supersonic Festival’s first ever edition back in 2003. Joining the dots between mutant strains of dancehall, acid ragga and grime.

Supersonic Festival are so happy to invite The Body, a band who truly sound like no other. Known for their intense, abrasive live shows, whose waves of dissonance create an abiding dread or an overwhelming sense of terror. They create a volume of sound almost unfathomable from a duo and are unaffected by instrument choice: guitar and drums, or keyboard and synthesizers, we eagerly await to see what the performance in July shall bring.

Hen Ogledd shall delight with their phantasmal blend of ravising melodies, hallucinatory textures and bonkers rhythms to Supersonic Festival’s 15 year edition. Comprising of Sally Pilkington’s picture-perfect pop and earthy singing, Rhodri Davies’ blazing harp splutterations and guitar moans, Dawn Bothwell’s twisted telephone techno and bamboozling lyric-bombs and Richard Dawson’s utter bass.

The acclaimed Montréal–Beirut contemporary Arabic audio-visual duo Jerusalem In My Heart (JIMH) comprised of musician/producer Radwan Ghazi Moumneh and experimental analog filmmaker Charles-André Coderre shall also grace the stage at Supersonic Festival. Guided by Moumneh’s melding of ‘traditional’ melismatic singing (in Arabic) and buzuk playing, with modern deployments of modular synthesis, filter banks, power electronics, field recordings, etc. JIMH pay homage to the blown-out distortions of historical Arabic cassette tape culture, processed through modern currents of electronic music. Moumneh’s lyrical themes are deeply expressive and rich in political and socio-cultural historical consciousness, all of which are complimented by Charles-André Coderre’s 16mm film loops and projections that are an integral part of the JIMH aesthetic identity.

Weekend tickets are limited from HERE
Watch this space for further announcements and hotel deals


Supersonic Podcast release – 2018 year round-up!



Hope you had a Merry Christmas folks. Here’s one last treat from us to you to enjoy in that weird flux of time – the Crimbo Limbo!

We’re sure you’ve had enough of the white noise of relatives, so tune in and zone out for couple of hours by listening in to our Supersonic Podcast 2018 year round-up.

Rounding off the Supersonic year, host Anna Palmer takes us through the trajectory of these last 12 months and the artists that wowed and stunned us at Supersonic year-round shows as well as the festival itself.

It’s been one hell of year.

Thanks to all who attended the shows, we’d be nothing without our wonderful audience.

See you in 2019 where we’ll be doing it all again for a SUPERSPECIAL anniversary year – our 15th edition!

Don’t miss out on what is set to be an incredible year for Supersonic.

NEUROSIS headline show has already been announced, kicking off the festival in July in spectacular style in Birmingham’s Town Hall.

More announcements to come early 2019 – keep your ears to the ground!



July 19th – 21st

Digbeth, Birmingham UK


See you there! xxx





Our anti-chrimbo round-up: Hey Collosus/ Youth Man/ Yama Warashi/ Matters


‘Twas 17 nights before Christmas…

…and our end of year blow out at Centrala was a whopping night of noise and left-field festivities. On December 8th Supersonic saw 2018 out with a bang, with the last show of the year featuring the mighty Hey Colossus with Youth Man, Yama Warashi and Matters, with the mesmerising Ideas of Noise keeping us going throughout the night with sets downstairs. 





Starting the night downstairs we had the incredible musical offerings of Ideas of Noise, who those who attended Supersonic festival this year may well have caught on their curated Friday night stage. Produced by Andrew Woodhead and Sarah Farmer, IoN’s focus on connecting experimental audiences and performers undoubtedly shone through with SPACETIMEBAND (Sarah Farmer / Andrew Woodhead / Richard Scott / Aaron Diaz / Joe Wright), an exploration of General Relativity and cosmological curiosities through sound. Throughout the night they had the audience transfixed by their musical meanderings sonically and through animation. 




Kicking everything off upstairs we had Brummie babs Matters. The guitar + synth + drums had the audience moving with their building, electrifying instrumentals. Their blending of krautrock, psychedelic, post rock and techno left a powerful impression, with the visuals proving for a magical, hypnotic show.



Bristol’s Yama Warashi promised a dreamy, evocative sound, giving us a more chilled groove which eased into samba and saxophone sounds and slices of electric psychedelia that transfixed the room ahead of the throws of Brummie punks Youth Man.




“If this was a soundtrack for what we can expect in the UK during 2019, it’s time to batten down the hatches because things could get rough”- The Arts Desk

It’s been a big year for Supersonic and our pals Youth Man, with them supporting our Pigs Pigs Pigs Pigs Pigs Pigs Pigs gig with Grey Hairs at The Hare and Hounds earlier this year, and of course on the third stage at Supersonic Festival. As per they delivered a shrieking, thrilling live show, fitting of their reputation as a powerhouse of hardcore performance matched by comic banter- who knew Black Sabbath were from Birmingham?!?!



After a short interlude of festivities and raffle treats (who says we don’t spoil you?) it was time for our headline act Hey Collosus, a cataclysmic whirlpool of free noise. Forging a completely idiosyncratic combination of power, control, miscontrol and more power. Their gigantic riffs and unhinged drumming let us in for an astonishing show, with lead singer Paul Sykes howling at the ceiling with as much force as the pounding beats behind him, finishing the night with the audience locked into a fierce motoric groove. Their set left us pounding, ready for some extra special DJ sets propelling Centrala into the early hours of the morning.

A HUGE THANK YOU to Centrala and all the reprobates who helped us see out 2018 with a bang. Make sure you catch our upcoming shows in the new year, starting with The Messthetics, OUTLANDS Tour 4 with Beatrice Dillon and visual artist Keith Harrison, Pigsx7 with #SSFest18 faves Cattle and, of course, Supersonic Festival 2019, headlined by the almighty Neurosis.