Tony Conrad screening


As part of  ‘Seeing Sound‘, an exhibition curated by Laura Coult at VIVID there will be a special one-off screening of Tony Conrad’s seminal work The Flicker (1966), a 30-minute film exploring the possibilities for harmonic expression using a sensory mode other than sound; audience reactions to the film ranged from disorientation, temporary hypnosis, and intense experiences of colours and patterns, to headaches and violent bouts of nausea, all seemingly caused by the pulsating light’s interaction with the brain’s alpha waves.

‘Seeing Sound’ will include Ben Russell’s Black & White Trypps No. 3 (2007) which documents an audience’s collective freak-out during a performance by Rhode Island noise band Lightning Bolt, and a live performance by Sam Underwood , of Steve Reich’s Pendulum Music. Originally scored for “For Microphones, Amplifiers Speakers and Performers” this specially adapted version will be performed using four Noise Boxes / Optical Theremins, similar to those made in the workshop, and four torches.

This is a FREE event – taking place at at 1pm on Sunday


Fear Of Music


Panel discussion: ‘Fear Of Music’: Why Do People Get Rothko But Don’t Get Stockhausen?

David Stubbs’s Fear Of Music pivoted on a fundamental question: why do people get Rothko and not Stockhausen? While the general public has no trouble embracing avant garde visual art there is mass resistance to experimental music, although both were born at the same time and under similar circumstances – and despite the fact that from Schoenberg and Kandinsky onwards, musicians and artists have made repeated efforts to establish a ‘synaesthesia’ between their two media.

For this event, a panel made up of David Stubbs, Brian Duffy (Modified Toy Orchestra) and Christian Jendreiko (God’s White Noise) will discuss the parallel histories of modern art and modern music and wonder why one is embraced and understood while the other is ignored, derided or regarded with complete bewilderment.

About the panel:
David Stubbs is a freelance British music journalist and author. He has been a staff writer at Melody Maker, the NME, and The Wire, and he’s work regularly appears in The Guardian, Arena, The Wire, Uncut and When Saturday Comes.

Brian Duffy is the originator of the Modified Toy Orchestra, who make experimental electronic music using a series of children’s toys rescued from car boot sales. Each toy is modified to utilise new connections, and liberate the surplus value within their circuits.

Christian Jendreiko is an artist who seeks to reconsider acoustics as aspects of how body and mind are constructed, through a decentralized and sculptural approach towards performance; he transforms groups into social sculpture.

Tony Herrington first contributed to The Wire magazine back in 1987, and has been a member of staff at since 1992, before going on to be Editor-in-Chief and Publisher.

Supported by Ikon hosted by Wire Magazine