Short film specialists KINO 10 join us at this year’s festival with a specially curated programme of short films, exploring bizarre rituals, strange traditions, mythical beasts, peculiar creatures and fantastical folk tales. Highlights include the magical Oh Willy… in which Willy, a middle-aged man grieves for his late mother, but finds protection from a big gentle hairy beast, and The Last Norwegian Troll which tells the animated story of just that, the very last Troll of Norway, voiced by everyone’s favourite Jesuit exorcist Father, Max von Sydow. There’s also some gems from the archive with a selection of shorts from as early as 1927 which look at Britain’s eccentric rural traditions and rituals, with footage of children playing with burning barrels in East Devon, Dwile Flonking in Harleston, and some amazing pictures from Stonehaven’s New Year Fireball Festival in 1965.
A lo fi experimental film exploring visions of the darkness, The Mystic, The Occult, The Religious and The Apocalypse. The film is made by Belgian artist Shazzula Nebula who has performed in psychedelic band White Hills and is an ex member of Aqua Nebula Oscillator.
The soundtrack features:
Master Musicians of Bukkake
Sylvester Anfang II
The Entrance Band
Mater Suspiria Vision
SUM OF R
Walking his dog late at night in the back alleys of his hometown of Nashville, Harmony Korine encountered trash bins strewn across the ground in what he imagined as a war zone. Overhead lights beamed down upon the trash in a Broadway-style that Korine found very dramatic. They began to resemble human form, beaten, abused and “very humpable”. Korine remembered, as a teenager growing up in Nashville, a group of elderly peeping toms who would come out at night. He has described them as “the neighborhood boogeymen who worked at Krispy Kreme and would wrap themselves in shrubbery, cover themselves with dirt, and peep through the windows of other neighbors.” Putting these two ideas together, Korine found conception for this film.
Trash Humpers is a 2009 American drama film directed by Harmony Korine. Shot on worn VHS home video, the film features a “loser-gang cult-freak collective”and their whereabouts in Nashville, Tennessee.
“Four years ago the Outcrowd stumbled upon some curious and bizarre old traditions based around the area of Birmingham’s birth place, the crossing of the River Rea, now known as Digbeth. Intrigued we delved further, eventually leading us to discover the lost Festival of the Rea, with roots in Pagan and traditional religions, echoed in similar festivals still celebrated throughout Europe.
For Supersonic we will re-create elements from the Festival of the Rea and build a shrine known as the “house of Beorn”, the first to be built in the area for over a century. A selection of artists with mythical potential will be invited to create offerings to this shrine and members of the public will also be invited to contribute their own offering to this ramshackle, weathered and sacred cabin during the festivities.
As the sun goes down on the last night of the festival, past and present will come together in a climax of channeled energy and sound where the magic of the event and the natural powers of the river will awaken and release the long lost spirits of the city we call home.”
Artists confirmed for the exhibition are:
A strand of film programming curated by Jason Forrest at Network Awesome.
“A look at the wild stuff that happens way out on the back roads. Wildmen, talking animals, folk tails, and some of the culture that surrounds them all. Our hour long presentation of animations, short films, and video clips is sure to provoke and inspire.”
Network Awesome is a new online TV site that curates the media film, documentaries, and video collections from all eras of broadcast history. It’s free, not full of junk, and it broadcasts 6 new shows each day. The archives are stand-alone repositories of media, available anytime and are, like, totally social so you can share it with your friends. Root around in there! You’ll be amazed at what you find.
That which is below is like that which is above that which is above is like that which is below to do the miracles of one only thing. And as all things have been arose from one by the awareness of one: so all things have their birth from this one thing by adaptation.
The Sun is its father, the moon its mother, the wind hath carried it in its belly, the earth its nurse.
A performance inspired by the Heavens Above, created by Mark Wagner and Sanna Charles of S&M and Conny Prantera, with the collaboration of Emiliano Maggi of Estasy, photographer Marko Righo and costume designers Kamellia McKayed and Gloria Carlos.
To honour the occasion of Supersonic’s 10th anniversary and the recent discovery of the lost Festival of The Rea, the SOUNDkitchen collective will give a special performance of Earth Ears: A Sonic Ritual by Pauline Oliveros. Known for her ritualistic and meditative approach to sound and listening, Oliveros’ work invites performers and audience to engage in a Deep Listening experience.
For this performance each member of the collective will invoke one of the four classical elements Earth, Air, Fire and Water, central to ancient pagan practices and magic rituals. Each performer will reveal their sonic manifestation through musical actions, recorded representations and improvisation. Through collective expression and meditation we invite you to celebrate the spirit and history of the River Rea in Digbeth as an historic site of community, creativity and mystical energy.
SONICritual will be performed by: Iain Armstrong, Julien Guillamat, Shelly Knotts, Annie Mahtani. Sound engineer: James Carpenter
SOUNDkitchen are a collective of composers and sound artists dedicated to promoting artists working in the medium of sound. Their ongoing series of live events present emerging and established performers from Birmingham and beyond with a focus on current and emerging approaches to experimental electronic music. They also curate and create sound art installations and exhibits, initiate collaborative projects and give live performances.