Sonic Graffiti


Tomorrow will see the launch of an exciting new commission between VIVID and Capsule:


Walking the streets near to VIVID and Supersonic Festival, the ubiquitous signs of
neglect passing you by, your attention is captured by a symbol you’ve seen somewhere
else before…

Set into a decaying wall there is a headphone socket. You unplug from your own music
and plug yourself into the city. The sounds you hear are of and from this place, dark
and decayed. As you listen you examine the surface before you more closely. You’ve never
paused here in this way before. What beauty you have missed.

A special “Crash EP” featuring four compositions by Mr.Underwood will be
contained within the installations. Each piece is based on a field recording taken
close to the site in which you find it. The EP will be available for download but you
are encouraged to listen to the pieces in situ, as the chance sounds that surround
you at the time of listening are considered part of the compositions. The pieces
will require you to interact with them in a variety of ways to trigger or manipulate
the sound. Go explore! Headphones are available from VIVID during exhibition
opening hours for a small deposit.

Join Mr. Underwood for a special tour, leaving from VIVID on Friday 23
September, 6pm. Meet at VIVID reception at 6pm. Bring your own headphones


Seeing Sound


Seeing Sound Curated by Laura Coult
12PM – 7PM Fri – Sun

Seeing Sound is an exhibition exploring the ways in which we experience sound as light, movement, noise, and colour. Spanning 70 years the programme draws together historical and contemporary moving image works including Ben Russell’s Black & White Trypps No. 3 (2007) which documents an audience’s collective freak-out during a performance by Rhode Island noise band Lightning Bolt; and Tony Conrad’s seminal work The Flicker (1966) a 30-minute film exploring the possibilities for harmonic expression using a sensory mode other than sound; audience reactions to the film ranged from disorientation, temporary hypnosis, and intense experiences of colours and patterns, to headaches and violent bouts of nausea, all seemingly caused by the pulsating light’s interaction with the brain’s alpha waves. Other artists include Stefan and Franciszka Themerson and Benedict Drew.

Live performances
Classical percussionist Joe Snape performs: Lärmlicht #1, for percussionist, 4-channel tape and 8 lightbulbs.

Mr.Underwood will stage a rare performance of Steve Reich’s Pendulum Music. Originally scored for “For Microphones, Amplifiers Speakers and Performers” this specially adapted version will be performed using four Noise Boxes / Optical Theremins, similar to those made in the workshop, and four torches.


Kids gigs


Saturday 23rd October
11am + 2.30pm
mac Cannon Hill Park Birmingham B12 9QH
Tickets £5 Bookings 0121 446 3232
For 2 – 7 year olds and their families
A 1 hr workshop & performance exploring experimental music aimed and kids and their families.
Ever since Schoenberg and Kandinsky became pen pals back in 1907, avant-garde art and experimental music has been attempting to find some common ground.  But, it’s not been easy.  While modern art is a mass phenomenon, experimental music is often derided and ignored by the masses.  Here’s our contribution towards a solution: ‘Big Sounds for Little People’.  If you couldn’t guess from the snappy title, it’s a gig, for kids and their families, which aims to introduce children to experimental music at an early age.

Featuring US based, Dosh, a one-man band, a virtuoso, and West Midlands local circuit-bending fiend Glatze.  Glatze uses customised instruments (including: circuit-bent Furby dolls and kids’ toys) that have been specially rewired to create all sorts of musical wizardry. Dosh a multi-instrumentalist; combines a host of instruments into an exciting and unique live experience.  See firsthand how these unlikely instruments are used to make noise / sound / music, and to have a go yourselves.

Produced by Capsule + mac with support from Bright Space + SAM