Velzuvial: Unendlich Gestischen Abstraktion – a 24 hour action

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Velzuvial: Unendlich Gestischen Abstraktion

After Supersonic closes down on Saturday night, you’ll be too excited to go to bed of course.  So why not spend the night in Eastside Projects (bring your own sleeping bag)? Christian Jendreiko and Andrew Moscardo-Parker will be performing a 24-hour guitar & stringed instrument performance from 9pm on Saturday to 9pm on Sunday.

Scored and performed by the Dusseldorf based Jendreiko (also of Apparent Extent label fame) and Birmingham based Moscardo-Parker of Einstellung and Lash Frenzy, the two artists will work with various performers from Birmingham, the UK and Europe to produce an ever-evolving, deep listening experience.  Following on from Jendreiko’s 7-hour performance of GOTTESRAUSCHEN (GOD’S WHITE NOISE)
: Action for Players, Guitars and Amplifiers in 2010 that coincided with Supersonic 2010, this will be an immersive and exploratory event allowing listeners to lose all sense of themselves.

9pm – 9pm : Saturday 22nd – Sunday 23rd October
Eastside Projects | 86 Heath Mill Lane | B9 4AR

eastsideprojects.org/future/velzuvial

 

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Velzuvial

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9pm – 9pm 22- 23 October
Eastside Projects
86 Heath Mill Lane B9 4AR

This new performance commissioned by Capsule and Eastside Projects is a collaboration between artist Christian Jendreiko (responsible for last years Gods White Noise live installation) and Andrew Moscardo-Parker (aka Lash Frenzy). Together they will be exploring the action of both playing and what is actually being played over a 24 hour period, allowing for the piece to develop and evolve naturally.

Christian and Andrew will be joined by a core group of string players along with a few ‘special’ guests. What will be created will be truly unique!

Lash Frenzy vs KK Null from Supersonic 2010:

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Fear Of Music

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Panel discussion: ‘Fear Of Music’: Why Do People Get Rothko But Don’t Get Stockhausen?

David Stubbs’s Fear Of Music pivoted on a fundamental question: why do people get Rothko and not Stockhausen? While the general public has no trouble embracing avant garde visual art there is mass resistance to experimental music, although both were born at the same time and under similar circumstances – and despite the fact that from Schoenberg and Kandinsky onwards, musicians and artists have made repeated efforts to establish a ‘synaesthesia’ between their two media.

For this event, a panel made up of David Stubbs, Brian Duffy (Modified Toy Orchestra) and Christian Jendreiko (God’s White Noise) will discuss the parallel histories of modern art and modern music and wonder why one is embraced and understood while the other is ignored, derided or regarded with complete bewilderment.

About the panel:
David Stubbs is a freelance British music journalist and author. He has been a staff writer at Melody Maker, the NME, and The Wire, and he’s work regularly appears in The Guardian, Arena, The Wire, Uncut and When Saturday Comes.

Brian Duffy is the originator of the Modified Toy Orchestra, who make experimental electronic music using a series of children’s toys rescued from car boot sales. Each toy is modified to utilise new connections, and liberate the surplus value within their circuits.

Christian Jendreiko is an artist who seeks to reconsider acoustics as aspects of how body and mind are constructed, through a decentralized and sculptural approach towards performance; he transforms groups into social sculpture.

Tony Herrington first contributed to The Wire magazine back in 1987, and has been a member of staff at since 1992, before going on to be Editor-in-Chief and Publisher.

Supported by Ikon hosted by Wire Magazine

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Gods White Noise

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Düsseldorf-based artist Christian Jendreiko is known for making actions with large ensembles of trained or untrained performers in novel, site-specific settings. Jendreiko specifically seeks to reconsider acoustics as aspects of how body and mind are constructed, through a decentralized and sculptural approach towards performance. Lasting anywhere between two and seven hours and featuring classically trained musicians alongside untrained performers in nonhierarchical and improvisatory fashion, Jendreiko transforms groups into social sculpture.

For the Birmingham premiere of ‘GOTTESRAUSCHEN (GOD’S WHITE NOISE): Action for Players, Guitars & Amplifiers’, a number of musicians and artists will perform at Eastside Projects over the course of 7 hours. Intended as a performance for an indeterminate number of guitarists and amplifiers, and taking its cue from a passage by Friedrich Schiller on man’s relationship to a series of sensual and formal compulsions (“For all beauty is ultimately but a property of … movement”), GOD’S WHITE NOISE will unfold over a single day, with guests free to enter, circulate throughout, and remain in the gallery space as long as they wish.

Jendreiko’s actions have been performed at Baer Ridgway, San Francisco (2010), Wesleyan University (2007), Kunstverein Düsseldorf (2007), Kunstverein Nürnberg/Albrecht Dürer Gesellschaft (2009), the Museum of Modern and Contemporary Art in Strasbourg (2009) and in various galleries and art institutions throughout Europe. Jendreiko has also presented work internationally since 1999 as a founding member of Düsseldorf-based artist collective hobbypopMUSEUM.

OPEN CALL:

Eastside Projects and Supersonic are looking for performers for GOTTESRAUSCHEN (GOD’S WHITE NOISE), taking place at Eastside Projects on Saturday 23 October, 12–7pm. We are looking for people interested in going through the GOTTESRAUSCHEN experience: You do not need to be a trained guitar player, however you should be interested in sonic exploration of the self. The full performance lasts 7 hours — involvement for the duration is optional: players may come and go. Performers are required to bring their own electric guitar and amplifier, which can be stored securely at Eastside Projects for the full festival weekend. Contact [email protected] for more details.

Eastside Projects is a new model for a gallery, one where space and programme are intertwined: a complex evolving programme of works and events starting from radical historical positions. Forthcoming is a touring exhibition by British artist Carey Young, and pioneering US artist, Dan Graham.

This event takes place at: Eastside Projects, 86 Heath Mill Lane, Birmingham B9 4AR
www.eastsideprojects.org

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